There’s a screw loose in this theatre! (And damn skippy if it isn’t ever in the doorknob! IYKYK!) And holy heck and go-ta-war, if the Vagabond Players aren’t determined to find it with their current production of Room Service, directed by Steve Goldklang. Making its return to the Vagabonds’ stage (it appeared April and May of 2013 as a part of their 97th season!) with the same director but a brand new cast,
What do you do all day? Sound familiar? If you’ve ever worked in a corporate office with a raging, RBF-boss whose attitude can be felt permeating walls from miles away, it might be a little too familiar. Add in the antics of a smelly, obnoxious co-worker, and the fantasy scenario we all daydream about but have no idea what to do with once it becomes a reality and you’ve got the American premiere of Working For Crumbs,
Words have meaning. Precision of language is everything. When you wish to communicate an idea, you use your words. And Philadelphia-based playwright Erlina Ortiz has done exactly that with her play Honey Bee Baby, receiving its world premiere this January with Rapid Lemon Productions. Directed by Jalice Ortiz-Corral, this fascinating new work takes a futuristic deep dive into a plethora of timely, relevant topics that will leave you deeply pondering and questioning where you stand on the ethical side of the dividing line when it comes to things like natural resources,
Everything’s humming now! Good times are coming now! It’— Annie! ANNIE! And Annie has returned to Charm City once more (after running their tech week at Baltimore’s illustrious Hippodrome Theatre back in November 2024 before heading out on their national touring circuit!) Annie marks the first Broadway Across America tour to grace the Hippodrome stage this 2025 calendar year and— leapin’ lizards! It’s genius! Charming and heartfelt and a perfect way to carry that holiday spirit well into the new year,
The sun’ll come out! TOMORROW! Bet your bottom dollar that tomorrow— there’ll be— well, in Maryland, it could be sun, could be snow, could be 92° with a hailstorm because this is the state where the weather changes on a dime and without much sense or warning. But Towson native Hazel Vogel, currently starring in the titular role of Annie knows all about Maryland weather. And she’s hoping to bring the sunshine with her when the National Tour of Annie returns to her home state for the first full week in January of 2025.
author: Erin TarpleyÂ
“Are you a strong enough man to write a strong woman?”
Ah, Shakespeare. The Bard. The Playwright. The bane of every 9th grade English student. With as famous as his works are, it should come as no surprise that his most famous romantic tragedy of Romeo and Juliet would be turned into a musical at varying times throughout history. It is also not too surprising that someone would come along and attempt to rewrite The Bard’s work into something different,
Oh, bother! There’s a rumbly in my tumbly and there’s something I’m supposed to do! Ooh— think, think, think, think! Hmm. Maybe if I have just a little something…aah, yes. Just a little something— some hunny, perhaps? Oh! Oh, that’s it. I’m supposed to tell you that you should venture out to the Hundred Acre Woods this weekend! Yes! Oh yes, yes, yes, that’s it! To the Hundred Acre Woods for a very lively, very charming Christmas show!
“Every soul is a piece of the Creator so every soul has a whisper of the divine within.” There were numerous quotes sprinkled liberally throughout last night’s production of Life Of Pi, that hit home, strike the heart, spark the mind, inspire the soul, and give theatergoers in Charm City a real chance to connect with a human story this holiday season. Making its national tour debut here at Baltimore’s Hippodrome Theatre,
author: Erin Tarpley
“Love is about knowing the other person and allowing them to be the person they are”
With the holiday season upon us, tis the season to be merry, jolly, and joyous. And after a wonderful evening at The Strand watching their rendition of The Wickhams: Christmas at Pemberley, these are three adjectives that I found made even my Grinchy heart grow three sizes that very night!
There’s so much time so little to do! Wait a minute… strike that! Reverse it! Make some time and find your way to Charlie and The Chocolate Factory at Children’s Playhouse of Maryland this December! The reimagined Roald Dahl classic is now appearing in all its darkly delicious and devious glory on the CPM stage as their winter offering for the 2024/2025 season! Directed by Liz Boyer Hunnicutt with Musical Direction by Charlotte Evans (and live percussion musician Lisa Wood) and Choreography by James Hunnicutt,
Bonjour! Parlez-vous francais? No? Oui? Peut-être un peu? No matter! You will have a glorious good time at Alex and Olmsted’s latest fabrication— Happy Birthday, Mon Ami playing now through December 8th 2024 at Baltimore Theatre Project. Charming, wholesome family fun put together by these majestic creators of puppets, this delightful experience, reminiscent of a proper Punch&Judy show on Brighton Beach with hints of panto and improv thrown right in the mix is a charming outing for the whole family this chilly weekend in December.
Into The Woods without delay! But careful not to lose the way… Into The Woods who knows what might be lurking on the journey. Into The Woods to get the thing that make it worth the journeying— be it cow, wish, potion or festival…Street Lamp Community Theatre makes it worth your journey all the way up to Rising Sun to see their impressive production of the Sondheim beast that is Into The Woods.
“…a sparking diamond of its time; it truly lives up to its namesake…”
The originator. The fabricator. The one and only…Charles Dickens. While he’s no Gonzo, (because everybody loves a furry, blue Charles Dickens this time of year) Jimi Kinstle certainly makes quite the impression as the legendary author, out pitching his wares— and by wares we mean his stories, and by story we mean the popular story associated with Dickens at Christmas time…
“Marley was dead to begin with.” The second most-recognized line in the Dickensian classic,
“Embracing happiness is f**king terrifying.” ~Sarah Shulman A Very Jewish Christmas
We don’t usually censor words around here but tis the season and you never know which little ones might be reading alongside the adults in hopes that Santa Claus or Hanukkah Harry or whichever present-bringing seasonal deity will see them being a good little offspring, reading the theatre review of the Maryland Ensemble Theatre’s latest new work to grace their mainstage.
You go to the theatre for a little relief, to be a community of people who laugh together. Or perhaps in this case, clutch their hands to their hearts and cry together. God of Vengeance, a real play by Sholem Asch, written in 1906, was surrounded by controversy, and on March 8th 1923, the Broadway production was cut short when the entire cast, producer, and one of the theatre owners were arrested and indicted (and later convicted) on charges of obscenity…of indecency.
author: Erin Klarner
A Few Good Men – the 1989 play by Aaron Sorkin which he adapted into the famous screenplay – is visiting the Howard County Arts Center for a limited one-weekend run in their black box theater, directed by Meghan Hackett of the Lumina Theatre Company. And it is well worth making time in your weekend to see.
With many short scenes, it is important to keep scene transitions quick so that the pace doesn’t get bogged down and lose the audience’s interest.Â
When a cold wind blows— it chills you! Chills you to the bone! But there’s nothing in nature that freezes your heart like years of being alone! It paints you with indifference like a lady paints with rouge. And the worst of the worst! The most hated and cursed— is the one that we call SCROOGE! Unkind as any— with the wrath of many— this is EBENEZER SCROOGE! (And yes, I did that from memory.
You shall be visited by three ghosts, Ebenezer! When the clock strikes one— The Ghost of Christmas Past (Jude Mahoney.) When the clock strikes two— The Ghost of Christmas Present (B. Thomas Rinaldi.) When they clock strikes three— The Ghost of Christmas Yet To Be! (Ashley Merrill.) And we may be crazy trying to visit with all three of these ghosts all at once, but what’s Christmas without a little crazy?
We’ve got you gathered here and the clock hasn’t even struck one,
What a chilly evening! Havre de Grace is all aglow! Don’t it feel like it might snow? Such a merry season! Don’tcha love it so? Merry Christmas, dearie— time to go! To Tidewater Players’ production of A Christmas Carol. Yes, it’s mid-November, and yes Thanksgiving is still two weeks away, but gosh darn it in the infamous words of Auntie Mame (yes, yes, different show, I know) “…we need a little Christmas!
Oh the weather outside is frightful— truly, we just finished having 80º days in mid-November— but the fire is so delightful— and it is, it looks so realistic you might think those are actual manuscripts going up in smoke— and they’re finally open so you can cheer and claps— go to Spots, go to see Deathtrap. The nature of live theatre being what it is, the grand opening of this Ira Levin stage thriller under the superb direction of Stephen Foreman,
Get your hands up, DC! Get this party buzzin’! You wanna Queen Bee? Well, here’s half a dozen! Everybody knows that they used to be six wives… and just for you tonight (and every night through December 1st 2024) they’re live at Washington DC’s National Theater— count them— one…two…three…four…five…SIX. The high-octane, super-sassy musical sensation (by Toby Marlow & Lucy Moss) has landed— once again in the nation’s capital and is here to wake you up,
Fondest Greetings, Good Monsieurs…did you think that I had left you for good?
We’ve been waiting. Since Sunday April 16th 2023…when Andrew Lloyd Webber’s The Phantom of the Opera played its final performance at The Majestic Theatre on Broadway. After 35 years and 13,981 performances (marking it as the longest running musical in Broadway’ illustrious history), there was a darkness that overtook The Great White Way, though not without the promise of a return…and that return has finally arrived.
author: Anthony Case
Halloween might be over, but that doesn’t mean we have to leave the thrills and chills of Spooky Season behind. CJ Productions might have just what you’re looking for with their production of The Guy Who Didn’t Like Musicals. The show, with Music and Lyrics by Jeff Blim and a book by Nick and Matt Lang, gained a lot of popularity online when a professional recording of the original cast was posted by the very popular Chicago based Starkid Productions.
Link by link by horrifying link…though I think some prefer the duet from the Muppets. Either way, we’ve got the one— the only— Steve Flickinger as the one and only Jacob Marley for this year’s production of A Christmas Carol, and we’re here to hear him spill his Christmas-y guts all about the feel-good holiday.
We’re thrilled to sit with you Steve. Thanks for joining us! Now this is not your first theatrical soiree.
God bless us, everyone! In case you hadn’t guessed, the next merry member of Tidewater Players A Christmas Carol is the youngest of the Cratchit children…little Tiny Tim!
Thanks for coming out and sitting here with me! Can you tell me your name?
Elliot Lookingland: I’m Elliot Lookingland.
And who are you playing in this show?
Elliot: Tiny Tim!
And this is your first theatre show ever?
It’s in the singing of a street corner choir! It’s going home and getting warm by the fire! It’s true, wherever you find love— it feels like Christmas! And it is— the season of the spirit— the message if we hear it— is make it last all year! And since Tidewater Players is getting you into the season of the spirit a good six weeks ahead of time, we figured we could pick some of the featured players’ brains all about their upcoming production of A Christmas Carol.
Just listen to that! The voice of Argentina! They are loved and adored! Just Off Broadway throwing their hats into the ring for this autumnal season’s offering of Evita. Directed by Jason Crawford, with Musical Direction by Patty DeLisle, and Choreography by Katie Noppinger, this Tim Rice & Andrew Lloyd Webber operatic musical (with no spoken dialogue) comes to Epiphany Lutheran Church via Just Off Broadway for two weekends only this November and it has its moments and it has its style.
author: Steven Kirkpatrick & Charles BoyingtonÂ
“Can we begin to imagine a world where we put care for one another at the center?”
Running from October 31 to November 24, Mosaic Theater Company is presenting the world premiere of The Art of Care, a theatrical event interweaving storytelling, music, movement and personal memoir to explore how we care for, and are cared for by, others. As part of Mosaic’s 10th anniversary season,
author: Jake Schwartz
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Anyone need a shave? Why not come on down to Fleet Street? Or even better – why not come down to Rockville Musical Theatre’s production of Sweeney Todd: The Demon Barber of Fleet Street.
We need to start by saying Director Karen Fleming does a PHENOMENAL job with this production. The show was a well-oiled machine, and while the run time was nearly 3 hours: it didn’t feel that way at all.