What a chilly evening! Havre de Grace is all aglow! Don’t it feel like it might snow? Such a merry season! Don’tcha love it so? Merry Christmas, dearie— time to go! To Tidewater Players’ production of A Christmas Carol. Yes, it’s mid-November, and yes Thanksgiving is still two weeks away, but gosh darn it in the infamous words of Auntie Mame (yes, yes, different show, I know) “…we need a little Christmas!
Link by link by horrifying link…though I think some prefer the duet from the Muppets. Either way, we’ve got the one— the only— Steve Flickinger as the one and only Jacob Marley for this year’s production of A Christmas Carol, and we’re here to hear him spill his Christmas-y guts all about the feel-good holiday.
We’re thrilled to sit with you Steve. Thanks for joining us! Now this is not your first theatrical soiree.
God bless us, everyone! In case you hadn’t guessed, the next merry member of Tidewater Players A Christmas Carol is the youngest of the Cratchit children…little Tiny Tim!
Thanks for coming out and sitting here with me! Can you tell me your name?
Elliot Lookingland: I’m Elliot Lookingland.
And who are you playing in this show?
Elliot: Tiny Tim!
And this is your first theatre show ever?
It’s in the singing of a street corner choir! It’s going home and getting warm by the fire! It’s true, wherever you find love— it feels like Christmas! And it is— the season of the spirit— the message if we hear it— is make it last all year! And since Tidewater Players is getting you into the season of the spirit a good six weeks ahead of time, we figured we could pick some of the featured players’ brains all about their upcoming production of A Christmas Carol.
Of all the blithe sounds you’ll hear this holiday season, tis none merrier than that of Charles Dickens’ A Christmas Carol, performed in near-entirety by Phil Gallagher as a one-man endeavor at Spotlighters Theatre. For its third year running, this solo-performer adaptation of the iconic Christmas classic holds its own against the 400 other productions of the Dickensian money-maker this time of year. Adapted for the stage by Sherrionne Brown and Phil Gallagher,
“God bless us, every one”
Tis the season for holly, mulled wine, and curing any case of “Bah humbug.” Returning for the second year in a row (and deservedly so!), this one-man show, adapted and edited by Sherrionne Brown and Phil Gallagher returns to Baltimore’s own Audrey Herman Spotlighters Theatre through December 18th to reprise this wonderful rendition of Charles Dickens’ beloved classic: A Christmas Carol.
It is difficult to find anyone in the English-speaking regions of the world who are not,
“It is required of every man… that the spirt within him should walk abroad among his fellow men, and travel far and wide; and, if that spirit goes not forth in life, it is condemned to do so after death.” ~Charles Dickens, A Christmas Carol.
It’s…that…time of year…when the world seems to do… all the Christmas things… on screen, on stage… every play you see…is A Christmas Carol… well,
There have been songs, dances, parodies, and even Muppets. But in all my travels— these 35 and a half years upon this earth— making merry and keeping the spirit and tradition of Christmas alive in my heart not only during the season but all the year, I have never heard of a visit to a lighthouse during the travels of The Ghost of Christmas Present with Ebenezer Scrooge in Charles Dickens’ A Christmas Carol.
“God bless us, every one!”
One of the most difficult things to do, especially around the holidays, is sally forth and soldier on when you’ve lost one of the great showmen in your company. Pasadena Theatre Company, taking to heart the time-honored tradition of ‘the show must go on’ is doing exactly that this holiday season and I can think of no better way to commemorate the radiant and outstanding memory of the late Chuck Dick than be bringing his adaptation for the stage of Dickens’ A Christmas Carol to life this year.
For those unfamiliar with the tale, A Christmas Carol is a sci-fi story of outer worldly spirits and time travel overlaid with a profitable Christmas theme. You know,like in It’s A Wonderful Life. If you find that an interesting way to think of it, Director Bill Leary’s adaptation is just as intriguing in how it updates this classic. The relationships that Ebeneezer Scrooge shuns are heightened by tying every character closer to him through family and business.Old boss Fezziwig is replaced with Scrooge’s father Andrew,
Scrooge the Musical at Artistic Synergy of Baltimore hardly needs an introduction to tell you what it’s all about! It’s the timeless classic Christmas story of A Christmas Carol by Charles Dickens, which has seen probably more interpretations and remakes than any other Christmas story in history, set to a wonderful score. While you have probably seen countless interpretations (or even other stage productions) of A Christmas Carol over the years,
A thoughtful retelling of Dickens’ classic, with music.
This is the fourth year of Wolfpack Theatre Company’s A Christmas Carol. Director William Leary has updated the off-told story with modern settings and sentiment. For example, we learn that Robert Cratchit Sr. and Andrew Scrooge had formed a beneficial business partnership that young Ebenezer destroys by merging with Marley. This deliberately joins all of the characters as an extended family with its attendant tensions.
Of all the days in all the year that I’m familiar with— there’s several very important ones leading up to— December the 25th! Correct! And those important days are any days between now and December 17, 2017 wherein The Children’s Playhouse of Maryland has a performance of their holiday musical, Scrooge. Directed by Liz Boyer Hunnicutt with Musical Direction by Charlotte Evans and Choreography by Amanda Poxon, this classic and musical spin on Charles Dickens’ A Christmas Carol will put you in the holiday spirit for certain with all of its spry and spirited youngsters skipping and spinning about!
Bah! Humbug! It’s that time of year when every theatre company goes about with ‘Merry Christmas’ on their lips and a production of A Christmas Carol on their stage! Even The Memorial Players of Bolton Hill have fallen into step with the holiday tradition and are mounting the Dickensian classic this season, but don’t be fooled! They aren’t presenting any old Christmas Carol, they’re adding deep thoughts, spooky edges, and a true reformation that really makes strong parallels to the world we live in today ring true,
It is the time of year for joy, love, and holiday traditions. One tradition that many people hold dear is a yearly outing to see A Christmas Carol, they pick from numerous theatres all playing the famous production and get their yearly fix of the British miser who changes his ways. It has been a long time since a new adaptation of the famous tale has come around, however at a small theatre in Annapolis that is exactly what has happened.
Tis the season to be— producing A Christmas Carol, most certainly. Thanksgiving weekend is fair game for theatres to start turning out their productions of Dickens’ most time-honored, cherished, and stageable tale. Running through December 10, 2017 as a co-production with Arts on the Green, The Kensington Arts Theatre’s 2nd Stage is putting up their very own A Christmas Carol, featuring young actors and adult actors alike! Adapted for the stage by Laura Victor and Directed by Jordan Clifford,
There’s going to be some haunting as they terrify a miser, but hopefully by the end, everyone will leave just a wee bit wiser! If not wiser, most definitely lighter of heart and happier of spirit as The Second City presents Twist Your Dickens in the Theater Lab of The John F. Kennedy Center for Performing Arts. With stick-to-your-ribs, feel-good comedy, this brilliant bastardization of Dickens’ iconic Christmas Carol and a Saturday Night Live style sketch comedy show is high-octane hilarity achieving its holiday heights just in time for Christmas.
Ding! Dong! Ding! Dong! Christmas bells are ringing! Wishing you a Merry Christmas and the happiest of holiday seasons, Toby’s Dinner Theatre of Columbia is proud to present their stellar production of the musical version of Charles Dickens’ A Christmas Carol. Directed by David James with Musical Direction by Pamela Wilt, this iconic classic brings the true meaning of Christmas to kids from ages one to 92 and beyond and everywhere in-between.
A Christmas Carol by Charles Dickens is a staple during the holiday season and many theatre companies all over the world are cashing in on it with traditional productions as well as new adaptations. Directed and Adapted by William Leary with Music Direction by Lauren Giglio, this new adaptation produced by the Wolfpack Theatre Company out of St. John’s Evangelical Lutheran Church in Prince George’s County is set in present day at a homeless shelter operating in a church.
On the fifth day of Christmas Wolf Pack Theatre Company did give to TheatreBloom— five golden answers! Plus an addition seven more as the “12 Gifts of Wolf Pack…” interview series continues on and TheatreBloom sits down with actress Vashti Gray Sadjedy and finds out just what she wants for Christmas!
Merry Christmas! Greetings and thanks for your time, if you could give us just a quick introduction we’ll get underway with these dozen Christmas questions!
On the fourth interview of Christmas, Wolf Pack Theatre Company did give to TheatreBloom— four flashes into the future? No, that’s not quite right. Into the present. Christmas present that is! Continuing through the “12 Gifts of Wolf Pack…” interview series we sit down with actress Susan Smithers to find out just what her feelings are on the whole Christmas Carol story.
If you could give us a quick introduction and tell us who you are in the show,
On the third interview of Christmas, Wolf Pack Theatre Company did give to TheatreBloom— three trips back in time to the days of young Belle and young Ebenezer Scrooge. Played by Brigid Lally and Dwayne Allen respectively, these talented performers give us their insight to the true meaning of Christmas as we follow along the journey of the TheatreBloom exclusive interview series and discover what it’s like for the young ingénues in Wolf Pack’s Christmas Carol.
On the second interview of Christmas, Wolf Pack Theatre Company did give to TheatreBloom— the insight of their company’s resident Technical Director Stephen Beitzell! Two blinking lights— quick, Stephen they’re not supposed to blink! And a glowing spotlight on solo singers too! Follow along in the TheatreBloom exclusive series to see what Stephen has to say about his Christmas favorites and his experience with A Christmas Carol
Merry Christmas, Stephen! Thanks for giving us a moment of your time!
God bless us, every one! At this time of year where need is most keenly felt, Wolf Pack Theatre Company is reminding us all that it is the season to be spreading kindness and good cheer. Their annual production of Charles Dickens’ A Christmas Carol as adapted by the company’s Founder and Artistic Director William Dean Leary, is cause for true celebration as it shines a radiant light on the true meaning of Christmas.
There is nothing in the world so irresistibly contagious as laughter and good humor. Mr. Dickens spoke it best when he put this sentiment into the ether at the holidays in his classic novella A Christmas Carol. And although everyone has their own version, their own retelling, are we not all but fellow passengers this time of year on our way to finding the laughter and good humor of the holiday season?
Christmas time is a bright and wondrous holiday season. Often described as the summer of the soul in December, a great deal of classic shows mount the stage during the holiday season but perhaps none so frequent as Charles Dickens’ A Christmas Carol. At this festive time of year in a TheatreBloom exclusive interview, area actor Paul Morella took a moment to sit down with me to discuss his one-man version of the iconic Christmas classic.
The bells of St. John are ringing you in for holiday season. Wolf Pack Theatre Company is proud to present an original adaptation written and directed by William Leary of Charles Dickens’ A Christmas Carol. When everyone is popping this holiday classic onto their stages this time of year as the Christmas Cash-cow, Leary’s socially brilliant commentary brings the story to modern day times and highlights the social issues that are so prevalently buried in Dickens’ original text that are all too often forgotten or overlooked in favor of spectacle.