Articles Tagged With: Alan Menken

Derrick D. Truby Jr. (Seymour) with Kaiyla Gross (Ronnette), Nia Savoy-Dock (Chiffon) and Kanysha Williams (Crystal), in the 2024 Ford’s Theatre production of Little Shop of Horrors ???? Scott Suchman

Little Shop of Horrors at Ford’s Theatre

Reviews March 21, 2024 Steven Kirkpatrick & Charles Boyington Steven Kirkpatrick & Charles Boyington

Little Shop of Horrors returns to Ford’s Theatre from March 15 through May 18 after a previous mounting in 2010. From its origin as a low budget 1960 sci-fi dark comedy by Roger Corman, to its initial adaptation as an off-Broadway musical in 1982, to subsequent high-budget film versions and worldwide stage success, Little Shop of Horrors has become one of the most treasured pieces of American musical theatre.

If you have never seen this American staple of musical theatre then you should run and see this production.

A Bronx Tale: The Musical at Dundalk Community Theatre

Reviews October 28, 2022 Amanda N. Gunther

This a Bronx Tale and just like they all do, it starts right here on Belmont Avenue. Well, the mockup of Belmont Avenue by way of Dundalk Community Theatre. Making its area premiere, A Bronx Tale: The Musical (Book: Chazz Palminteri, Music: Alan Menken, Lyrics: Glenn Slater) is based on the play of the same name and has the musical atmosphere of Hairspray and Jersey Boys with some plot structures along similar lines.

Kaenaonālani Kekoa (left) as Princess Jasmine and Clinton Greenspan (right) as Aladdin in Disney's Aladdin. Photo: Deen van Meer

Aladdin at The Kennedy Center

Reviews July 22, 2019 Amanda N. Gunther

Well Ali Baba had them 40 thieves, Scheherezad-ie had a thousand
tales! But DC, you in luck, ‘cause on your stage— you got a Disney show that
never fails! You got some Disney in your Opera House, it’s the summer show, it’s
set up camp! The Kennedy Center’s punching with pizzazz, and all you’ll wanna
do is rub that lamp and you’ll get— Disney’s Aladdin! Direct from
Broadway on its National Tour,

Weird Romance at MAD

Reviews May 8, 2018 Rachel Zirkin Duda

What happens when you mix love and science fiction? You get Weird Romance, a show described as two one-act musicals of Speculative Fiction, which is now being performed by the Music and Drama Club (a.k.a., MAD) at NASA’s Goddard Space Flight Center in Glenn Dale, MD. The production, Directed by Randy Barth and Produced by Eliot Malumuth, is based on a book by Alan Brennert, with music by Alan Menken and lyrics by David Spencer.

The Hunchback of Notre Dame at Columbia Center for Theatrical Arts’ Teen Professional Theatre

Reviews August 6, 2017 Amanda N. Gunther

Now, here is a riddle to guess, if you can— hear the bells of Notre Dame! What makes a monster and what makes a man? Sing the bells…bells…bells…of Notre Dame! You’ll only discover the answer to this mystifying riddle in the stunning, stirring, brilliant, and breathtaking production of Disney’s The Hunchback of Notre Dame at Columbia Center for Theatrical Arts’ Teen Professional Theatre this summer. Directed by Stephen Fleming with Musical Direction by Ross Scott Rawlings and Choreography by Mark Minnick,

Sister Act at Cockpit in Court

Reviews July 28, 2017 Cybele Pomeroy

Hallelujah for Sister Act at Cockpit In Court! CCBC Essex presents a family musical with sincerely praise-worthy voices and a lot of spirit in the F. Scott Black Mainstage Theatre. The stage musical of Sister Act is based on the Whoopi Goldberg movie of the same name, but while audiences loved hearing familiar Motown tunes used innovatively in the context of a cloister, the stage production got Alan Menken— you remember Alan Menken?

Review: Beauty & The Beast at Charm City Players

Reviews November 15, 2016 Mark Briner

Tale as old as time. Executing a Disney stage musical is always a tricky endeavor because one is competing with decades of iconic memories perfected and preserved in flawless animation. Even the best of the Disney stage shows suffer from the same stock problems: primarily easy to animate but difficult to stage scenes, added music significantly less stellar than the original scores, and inflated books from stretching the perfectly tailored 97-minute movie to two and a half hours of stage time.