Sometimes it’s the little things in life that teach us the greatest of lessons. Sometimes we see things and think that everyone sees the same thing. Sometimes we need our eyes opened, to understand our experiences may not be the same as others, even if we have just been part of the same event. Director Aladrian Wetzel makes those sometimes a reality in The Strand’s latest production, Black Super Hero Magic Mama,
To swim? Or not to swim! THAT is the question! And Fluid Movement has the answer with their annual summertime Water Ballet: SHARKESPEARE! Written collaboratively by Lynda Del Genis, Todd Gardner, Rachel Kassman, and Justin Sabe, with Kassman and Sabe serving as the show’s primary producers, this laugh-out-loud watery dorsal-fin approach to the Bard will have you in stitches with laughter over the terrible puns, the brilliant ideas, and in absolute awe at some of the synchronized swimming routines the execute in the vein of the Bard’s more popular tales.
You only live twice or so it seems, one life for yourself and one for your dreams. Annex Theatre might make you consider the dream life that you are or are not living at least twice with their current production of 1-800-Mice. Based on the comics of Matthew Thurber and adapted to the stage by Carly J. Bales and Sarah Jacklin, this absurdist nightmarish dreamscape takes interpretive experimental theatre to new levels with its nonsensical existence and surrealist approach to absurdism.
Ten actors. Ten plays. Ten minutes. One stage. It’s happening right now in a theatre near you— the Fells Point Corner Theatre, to be exact. Appearing as a new revision to their annual tradition of a 10-minute play festival, this year four directors take ten actors across the course of ten different ten-minute one-act plays. Polished, poignant, and perfectly humorous, this bundle of shorts is perfectly palatable for those who prefer their theatre in quippy clips and devourable morsels.
Are you cool enough to enjoy the strawberry? Because there is no difference between the past and the future, they’re all with you together in the bed of the present. Are you ready for a cinematic hybrid of chaos, confusion, and conclusive truth that is masquerading itself across the stage of Strand Theater Company? Because if you are, then you’re ready to face Harry and the Thief, written by Sigrid Gilmer.
When the name Harriet Tubman is mentioned, to many of us— especially those of us here in Baltimore— a particular image comes to mind: a kindly older woman wrapped in her shawl, showing folks the way to freedom on the underground railroad. But the legendary woman of history was so much more than that. And what happens when a time-traveling genius plots to intercept Harriet Tubman in her heyday and load her up with enough guns to incite a revolution that will echo throughout all of time and space?
Those who dream by day are cognizant of many things which escape those who dream only by night. A dream? A nightmare? A vision? A world trapped between worlds. Baltimore’s very own site-specific immersive experiential theatre show has returned to the Enoch Pratt House in time for the haunted Halloween season. Going inside the minds of the madness in a TheatreBloom exclusive interview, we sit down with Co-Directors and Co-Creators Glenn Ricci and Susan Stroupe to better understand The Mesmeric Revelations!
Are you asleep? Good. Let us begin. A vestibule awaits your arrival inside the doors of the Enoch Pratt House; a house preserved in time and seldom available to the public. Instructions await you from one of the house’s many stewards— exploring is encouraged, speaking unless spoken to is prohibited, unearthly events may occur. An intensely immersive theatrical experience like no other in Baltimore, Washington, or any of the surrounding metropolitan areas, The Mesmeric Revelations!