Articles Tagged With: Allan Sean Weeks

Sean Coe (left) as Albert, Whitley Cargill (center) as Jack, and Holly Gibbs (right) as Bessie in Give Me Moonlight

Give Me Moonlight

There are somethings that you cannot put into words;
experiencing the joy of a world premiere is one of those things. Rapid Lemon
Productions presents the world premiere of Give Me Moonlight by Ariel
Mitchell. This surrealist tale of historical happenings in rooted in the truth
of Albert and Bessie Johnson, who eventually built a castle in Death Valley. Directed
by Noah Silas, the play features just four actors and carries a loosely woven
narrative of hope and despair,

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Palindrome at Rapid Lemon Productions

Palindrome by Max Garner holds a special element of history with two important men of music in the two plays he wrote. With each one act play explaining the fantastic yet tragic stories of Thelonious Monk and Marvin Gaye. With subtle touches of musical aspects in each play, the audience’s ears ring with the smooth sounds of jazz and other genres that were produced by the focused artists.

Allan Sean Weeks who took the responsibility of lighting director really took on the “less is more” saying for each play.

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Love is a Blue Tick Hound at Rapid Lemon Productions

Rapid Lemon Production’s production of Love is a Blue Tick Hound found a beautiful way to touch and create an intimate environment for the audience to grow a connection with each character on stage. Audrey Cefaly wrote four different plays that are displayed long enough to grow a bond with each character, whether that would be a waitress laying on the floor of an Italian restaurant or a man on his second date receiving an ear piercing with a potato in his hand.

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Voices In The Rubble & Endgame at Rapid Lemon Productions

Something is taking its course. I don’t know how I feel today. There is no one else. There is nowhere else. It must be an absurdist cycle. Rapid Lemon Productions, under producer Max Garner, presents an evening of absurdism at The Motor House in the Station North Arts District of Charm City. A double-bill of two one-acts that are threaded loosely together in their absurdism roots, the classic Samuel Beckett’s Endgame is paired with the American premiere of Darren Donohue’s Voices in the Rubble.

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Review: Variations on Blame at Rapid Lemon Productions

Her heart got broken. The car was totaled. He’s wildly out of control. Who’s to blame? In a world of helicopter parents, disasters beyond our imagination, catastrophe around every corner, isn’t the question always who’s to blame? Appearing on the stages of Baltimore City for its 12th Annual Production the Variations Project, produced by Rapid Lemon Productions, takes up residency for a limited run-performance in the Wright Theatre of the University of Baltimore. 11 short,

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