Turn your face toward Cockpit in Court…let your memory lead you…open up enter in (to the F. Scott Black Theatre inside the Robert & Eleanor Romadka College Center) you will find there…the meaning of what happiness is… and a new show…will begin. If it was mystical the first time, magical the second, it will certainly be memorable, magnificent— truly Jellicle— the third as Bambi Johnson (who has become synonymous with Andrew Lloyd Webber and T.S.
Could it be? Another— *gasp* CAT!? (Well you didn’t think we’d suddenly switched to Dogs: The Musical, did you?)
Thank you for giving us some of your time today! Could you tell us who you are and who you play?
Alyssa Bell: Sure! My name is Alyssa Bell and I play Cassandra.
Tell us a little bit about Cassandra?
Alyssa: Cassandra is an Egyptian cat.
At the turn of the 20th century, a new music emanating from African-American urban communities began creeping into mainstream culture for the first of what eventually became many times over the course of the century. But in 1975, E.L. Doctorow used this musical form as a metaphor for not only the infusion of African-American influences into the white musical world, but for the changes in emerging racial presences that forced drastic social and class struggle,
Hey guys! Sup?! I had the most awesome, freakiest experience last night. Actually, it was a good kind of freaky and I think you should get your freak on too! What am I talking about? Glad you asked! I think you all should come and, well, you know, like chill with the cast and crew of Freaky Friday presented by The Maryland Theatre Collective at The Chesapeake Arts Center in Brooklyn Park. I guarantee you will laugh,
Christmas bells are ringing! Christmas bells are singing! Somewhere else— Bal-ti-more! That’s right, the Christmas bells— from Jonathan Larson’s Rent are ringing (in July, no less!) at The Heritage Players, set currently in The Chesapeake Arts Center’s black box theatre. Directed and Choreographed by Tommy Malek with Musical Direction by Rachel Sandler, Rent is an iconic tale from the musical theatre canon which reminds us all of how precious life truly is,
“…truly a singular sensation…full of heart, full of feeling, full of beautiful sounds and amazing dance routines…”
I am standing here with poison in my pocket…one eye on the
target, one eye on the clock— which is running out— only three more chances to fancify
your theatrical endeavors with this refined production of gruesome murder and
grisly mayhem. Why, it’s A Gentleman’s Guide to Love and Murder, a
serious undertaking for Dundalk Community Theatre this autumnal season. Directed
and Choreographed by Todd Pearthree with Musical Direction by Catina McLagan,
They’re live in living color! Dundalk Community Theatre’s got something special on tonight! They’re live in living color— ‘cause life ain’t lived in black and white. Their production of Catch Me if You Can is live in living color and it’s something you should see! It’s God damn and gumbo fabulous— it won’t fit in your TV! Directed by Robert W. Oppel, with Musical Direction by Cecile Audette, and smashing choreography by Vincent Musgrave,
How does it start? With a meet-cute little musical number featuring the cast of seven. How does it last? Those same seven sing and dance and talk and laugh and cry for 100 minutes every Friday night, Saturday night, and Sunday afternoon* so that audiences all over Charm City can have an adorable feel-good alternative to the Christmas season’s traditional musical theatre offerings. Despite an unsuccessful run Off-Broadway, the current cast of the Spotlighters Theatre production of First Date is finding second life,
11 July and the question is shame. Will you feel shame if you don’t go and see Spring Awakening at The Audrey Herman Spotlighters Theatre this summer? The answer is yes. Shame is a product of education, but do not remain ignorant to this impressively evocative and intimate piece of highly charged sensual musical theatre. Directed by Jillian Bauersfeld with Musical Direction by Michael W. Tan, this gripping and moving musical drama traverses the controversial plains of adolescence blossoming into maturity despite the deliberate ignorance engrained from the religious and parental rule that governs the time.
Something funny’s going on and it isn’t very pretty.
This is how it all began: with a murder of a man!
In Columbia City, Maryland— something funny’s going on. There’s a lot I haven’t told yet— there’s a musical, a show, and it’s real important you go! To Silhouette Stages to see their production of Lucky Stiff, a delightfully humorous musical farce based on the book The Man Who Broke the Bank at Monte Carlo by Michael Butterworth.
Prepare ye the way of the Lord as it paves its path up the aisles of the main stage in the Theatre Building of the Community College of Baltimore County Essex Campus with Cockpit in Court’s production of Godspell. Celebrating its 44th season, the Stephen Schwartz musical kicks off the summer for the community theatre and preaches a message that is poignant now more so than ever in today’s world where hatred seems to be common place and violence is overlooked as a part of the daily routine.