Prescribed plans for wellness do not allow for love at first sight. But haven’t we all been there? Or at least seen our friends and family be there? Jumping into something when they shouldn’t based on nothing more than a glance across the Supercenter shopping aisle? Or not jumping out of something when they should have because there just wasn’t an easy way out? If you’re looking for a good evening of dark, laugh-out-loud comedy,
Madness does not run through the theatre family; it gallops. With sardines. And while you’re certainly not going to get a gargantuan house on the postage stamp stage at The Audrey Herman Spotlighters Theatre, you can definitely get a hilariously good time with their current production of Charles Morey’s Laughing Stock. Mild to moderate insanity with a dash of ‘WTF’ all balled neatly into the nonsense that is the lifestyle we choose when we jump into the world of theatre.
Do you swear to tell the truth, the whole truth, and nothing but the truth? You can’t handle the truth! Though I might be mixing up my courtroom dramas as this one seemed to be skirting all around the truth, only revealing parts of the truth, and there was a lot of questionable truths floating in the ether. In true Agatha Christie style, Witness For the Prosecution splashes onto The Vagabond Players stage to kick of the 2024-leg of their 108th season.
Throw the rulebook right out the window. It won’t help you anyway. And forget what you think you know about Chess as that won’t help you here either. Can’t even say “not your Grandfather’s Chess” because there are so many different variations on this concept album-turned-musical-come-concert-album that it’s hard to pinpoint which one is the one for a standard basis of comparison. Based on an idea by Tim Rice, inspired wholly if not incompletely by historical events.
The wonder.
The mystery.
The Mousetrap.
While the ending may be the world’s best-kept secret, there’s no wonder or mystery that it is London’s longest-running performance in The West End. This Agatha Christie stage play is loaded with intrigue, deception, suspense, and— of course— mystery. And it’s now appearing on The Audrey Herman Spotlighters Theatre stage, directed by Paul Saar. With edgy moments of suspense, thrilling moments of spine-tingling terror,