Thereâs a screw loose in this theatre! (And damn skippy if it isnât ever in the doorknob! IYKYK!) And holy heck and go-ta-war, if the Vagabond Players arenât determined to find it with their current production of Room Service, directed by Steve Goldklang. Making its return to the Vagabondsâ stage (it appeared April and May of 2013 as a part of their 97th season!) with the same director but a brand new cast,
Prescribed plans for wellness do not allow for love at first sight. But havenât we all been there? Or at least seen our friends and family be there? Jumping into something when they shouldnât based on nothing more than a glance across the Supercenter shopping aisle? Or not jumping out of something when they should have because there just wasnât an easy way out? If youâre looking for a good evening of dark, laugh-out-loud comedy,
Madness does not run through the theatre family; it gallops. With sardines. And while youâre certainly not going to get a gargantuan house on the postage stamp stage at The Audrey Herman Spotlighters Theatre, you can definitely get a hilariously good time with their current production of Charles Moreyâs Laughing Stock. Mild to moderate insanity with a dash of âWTFâ all balled neatly into the nonsense that is the lifestyle we choose when we jump into the world of theatre.
Do you swear to tell the truth, the whole truth, and nothing but the truth? You canât handle the truth! Though I might be mixing up my courtroom dramas as this one seemed to be skirting all around the truth, only revealing parts of the truth, and there was a lot of questionable truths floating in the ether. In true Agatha Christie style, Witness For the Prosecution splashes onto The Vagabond Players stage to kick of the 2024-leg of their 108th season.
Throw the rulebook right out the window. It wonât help you anyway. And forget what you think you know about Chess as that wonât help you here either. Canât even say ânot your Grandfatherâs Chessâ because there are so many different variations on this concept album-turned-musical-come-concert-album that itâs hard to pinpoint which one is the one for a standard basis of comparison. Based on an idea by Tim Rice, inspired wholly if not incompletely by historical events.
The wonder.
The mystery.
The Mousetrap.
While the ending may be the worldâs best-kept secret, thereâs no wonder or mystery that it is Londonâs longest-running performance in The West End. This Agatha Christie stage play is loaded with intrigue, deception, suspense, andâ of courseâ mystery. And itâs now appearing on The Audrey Herman Spotlighters Theatre stage, directed by Paul Saar. With edgy moments of suspense, thrilling moments of spine-tingling terror,