Articles Tagged With: Ann Turiano

John Covaleskie (left) and Michael P. Sullivan (right) in The Monroe Doctrine ???? Rand Black

The Monroe Doctrine at Baltimore Theatre Project

Reviews August 18, 2024 Chris Pence

author: Chris Pence

What defines success? The American Dream? Career goals? Personal satisfaction? Baltimore playwright Mark Scharf examines these queries and more in The Monroe Doctrine, a new play making its world premiere at The Baltimore Theatre Project. The play centers around the Monroe Family, a typical American family hoping to celebrate Memorial Day 2014 with the Traditional Monroe Family Memorial Day Picnic on Hog Island, Maryland. Through family arguments and personal reflections,

Blown Away: An Interview with Iron Crow Theatre’s Natka Bianchini on Hurricane Diane

Interviews January 16, 2023 Amanda N. Gunther

Gods don’t die; they just change form. And what if one of the most revered Gods of all time— especially to those in the theatre community— were to reappear in a different form, come down to earth and hope to bring about a change of days? Then you sound like you might be prepared for Iron Crow Theatre’s production of Madeleine George’s Hurricane Diane. And if you’d like to be more prepared,

Mankind at Iron Crow Theatre

Reviews October 10, 2022 Joshua Bermont

Representing the triumphant return of the Iron Crow Theatre after their long pandemic hiatus, Mankind – written by Robert O’Hara, and directed by Ann Turiano – is a bold and beautifully-presented madcap satire that throws stones at such formidable topics as religion, anti-abortion legislation, and an upside-down world where “FEMINISM!” is a battle cry while women themselves are an afterthought.

This frenetic cyclone of ever-escalating absurdity takes place in a future where women have been extinct for over a century,

Woman On Top: Interviewing Director Ann Turiano about Robert O’Hara’s Mankind at Iron Crow Theatre

Interviews September 14, 2022 Amanda N. Gunther

Kids from the 90’s and the early 00’s might remember that one artist— Vitamin C? Mostly because she had that one song…who knows what it was actually called… but it was frequently referred to as “The Graduation Song.” And everyone knew it. What they likely didn’t know was that Vitamin C had this whole album and buried somewhere in the middle— track seven to be exact— was this song called “Girls Against Boys.” It was this futuristic song all about if women ruled the world and how different things would be,

Othello at Baltimore Shakespeare Factory

Reviews April 10, 2018 Amanda N. Gunther

To thine own self be true. Wrong Shakespeare; right concept. Baltimore Shakespeare Factory is being true to their MO and giving Charm City yet another Shakespearean production in Original Pronunciation, or “OP.” Othello is the latest in BSF’s OP series and handles just as well as those before it. For those vastly versed in Shakespeare think of OP as taking it to the next level or unlocking that bonus round of never-before heard jargon that truly acquaints you with the authenticity of The Bard.

The Sea Voyage at Baltimore Shakespeare Factory

Reviews October 30, 2017 Leanne Stump

It begins with a storm, a shipwreck, the rag tag crew find refuge on the shores of a strange island…sound familiar? Don’t be fooled, The Sea Voyage is far from an echo of Shakespeare’s Tempest. John Fletcher crafts a witty comedy that rivals the better remembered bards of his time. His female characters are strong willed, humorous and well, horny. The Baltimore Shakespeare Factory did an excellent job unearthing this comedic gem.

Review: The Zero Hour at Iron Crow Theatre

Reviews December 4, 2016 Jeffrey Gangwisch

The Zero Hour by Madeleine George, presented by Iron Crow Theatre at the Baltimore Theatre Project will run for only for more shows, all this weekend. Go grab your tickets before you continue reading; you won’t want to miss it. The play is set in a contemporary New York, following an established lesbian relationship. The scenes feel more like vignettes in a way that feels jarring at first but quickly settle into a digestible pattern.

Review: The Elephant Man at Fells Point Corner Theatre

Reviews September 6, 2016 Amanda N. Gunther

When you are told a thing, you must listen. Take a closer look with your exhibitionist eyes to the current co-production at the Fells Point Corner Theatre with The Collaborative Theatre; the current production of The Elephant Man by Bernard Pomerance, which launches the 2016-2017 season #RescueMe. Directed by Anthony Lane Hinkle, this strange venture into Victorian London exposes theatergoers to beauty that goes beyond the eye of the beholder. Fully articulating one of the core concepts of theatrical endeavors— suspension of disbelief— the production in its essence is a remarkable parade of aesthetically pleasing features.

The 11th Annual Kid’s Playwriting Festival at Twin Beach Players

Reviews August 5, 2016 Amanda N. Gunther

Summer is sizzling up a creativity storm down in North Beach as the 11th Annual Kids’ Playwriting Festival gets underway at the Twin Beach Players. With two dozen scripts submitted from area youth playwrights, six winners were selected for performance in this year’s festival. Festival Director Sherry Lehnen brought six groups of young actors and directors— many of whom have participated in previous KPF events through the years, some of whom have even had their plays produced— together in addition to a series of volunteers of all ages to help run tech and crew for an amazing opportunity for these young and gifted writers.

Hello, Baltimore, Iron Crow Theatre Wants to Play a Game: An Interview with Artistic Director Sean Elias on the new season of Dark Play

Interviews March 20, 2016 Amanda N. Gunther

Kicking off things with a bang after a season-long hiatus, Iron Crow Theatre is back with its most ambitious season ever. Under new management, establishing a new identity, and toting a whole bunch of new ideas, the company is rebooting their version of live theatre in Baltimore. Transitioning from the well-known moniker of “Baltimore’s Gay Theatre” into the broader umbrella of “Queer Theatre”, Artistic Director Sean Elias was heard making the statement that “…Queer…as defined to be renegade and unorthodox would be the mark and focus of rebranding the theatre…” at the season launch party held on Saturday February 6th earlier this year.

Review: The 39 Steps at Fells Point Corner Theatre

Reviews January 18, 2016 Amanda N. Gunther

Ladies and gentlemen, with your kind attention and permission, I have the honor of presenting to you…well, I don’t suppose I have the honor so much as the Fells Point Corner Theatre and The Collaborative Theatre have the honor of presenting a lovely little farcical play on Alfred Hitchcock’s The 39 Steps. Adapted by Patrick Barlow to the stage in comedic fashion, and Directed by Anthony lane Hinkle, some two dozen characters grace the stage as four actors wittingly work their way through the dark and tangled plot of humorous proportions.

No Darkness But Ignorance- Shedding Light on Trans* Twelfth Night: An Interview with Director Phil Vanndoorbeeck and Assistant Director Sarah Maher

Interviews January 7, 2016 Amanda N. Gunther

“Oh time, thou must untangle this, not I. It is too hard a knot for me t’ untie.” More appropriate Shakespearean words have never been found to suit the current situation of gender fluidity in the 21st century. As the knot of the rigid gender binary breaks apart into an open an accepting existence that genders— much like plays— come in a great many varieties, time proves to be the ultimate salve and knot-worker when it comes to undoing the limited thinking that has been applied to the notion since people began identifying their genders.

Review: The Pretties at Glass Mind Theatre

Reviews August 13, 2015 Amanda N. Gunther

To have a dark task isn’t the worst fate, even death does not hold that honor. The gods will not be plagued if you do not call after them, but they may lay a pox upon you if you don’t call after Glass Mind Theatre and their current production of The Pretties. Inspired by The Oresteia and Adapted by Ann Turiano, The Pretties unfolds in a new performance space for GMT under the Direction of Lynn Morton.

Review: The Dum Dums at Glass Mind Theatre

Reviews March 18, 2015 Jeffrey Gangwisch

If you enjoy intimate theatre, if you’re invested in supporting local and innovative performance companies, if you are as excited as I am to see the science-fiction genre further explored on-stage, stop reading this review and buy a ticket right now for Glass Mind Theatre‘s The Dum Dums. Once you’ve seen it, come back here and we can talk about some things.

The play is technically immersive and impressive,