Articles Tagged With: Atticus Cooper Boidy

Steven Day (center) as Monst3r in Monster (or #MeToo, Brute) 📷 Matthew Peterson

Monster (or #MeToo, Brute)

Reputation is everything. You either have enough wealth to buy reputation or you have enough reputation to be wealthy. That’s the vicious cycle of existing. Or at least existing on the internet. In a world-premiere of Marshall Logan Gibbs’ new work, Monster (or #MeToo, Brute) the ‘safe space’ of the internet is deeply examined through an all-too relatable lens. Directed by Maxwell Wolf, this current production appears as one of two brand new works being produced by The Maryland Theatre Collective this 2024/2025 season and is deeply poignant,

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Spring Awakening at Maryland Theatre Collective ???? MACHPE

Spring Awakening at Maryland Theatre Collective

There is no doubt that they are going to wound you; they are going to be your bruise. Viscerally evocative and emotionally stunning, Maryland Theatre Collective closes out their season with Spring Awakening, a musical by Duncan Sheik with Book & Lyrics by Steven Sater based on the play by Frank Wedekind. Directed & Choreographed by Tommy Malek with Musical Direction by Rachel Sandler, this gloriously impactful musical is a gut-punch for the ages with a stellar cast,

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The Prom at Annapolis Summer Garden Theatre

One thing’s universal! Life’s no dress rehearsal! And they are certainly making waves before it’s through! Annapolis Summer Garden Theatre has indeed built a prom! For everyone! And they’re showing us— it can be done! Kicking off the 2024 season under the stars, ASGT is bringing The Prom to life with its powerful, important message and it’s a real glittering spectacle well worth attending. Directed and Musical Directed by David Merrill, with Choreography by Elysia Merrill,

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Ragtime in concert at Maryland Theatre Collective ???? Matthew Peterson

Ragtime at Maryland Theatre Collective

At the turn of the 20th century, a new music emanating from African-American urban communities began creeping into mainstream culture for the first of what eventually became many times over the course of the century. But in 1975, E.L. Doctorow used this musical form as a metaphor for not only the infusion of African-American influences into the white musical world, but for the changes in emerging racial presences that forced drastic social and class struggle,

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Freaky Friday at The Maryland Theatre Collective ????Matthew Peterson

Freaky Friday at The Maryland Theatre Collective

Hey guys!  Sup?!  I had the most awesome, freakiest experience last night.  Actually, it was a good kind of freaky and I think you should get your freak on too!  What am I talking about?  Glad you asked!  I think you all should come and, well, you know, like chill with the cast and crew of Freaky Friday presented by The Maryland Theatre Collective at The Chesapeake Arts Center in Brooklyn Park.  I guarantee you will laugh,

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Rent at The Heritage Players

Christmas bells are ringing! Christmas bells are singing! Somewhere else— Bal-ti-more! That’s right, the Christmas bells— from Jonathan Larson’s Rent are ringing (in July, no less!) at The Heritage Players, set currently in The Chesapeake Arts Center’s black box theatre. Directed and Choreographed by Tommy Malek with Musical Direction by Rachel Sandler, Rent is an iconic tale from the musical theatre canon which reminds us all of how precious life truly is,

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Ruthless! at The Heritage Players

Talent. Either you’ve got it. Or you don’t. Luck for you,
The Heritage Players production of Ruthless! has got it. And they’ve got
it pouring out of their wazoos in spades. Directed & Choreographed by
Ashley Gerhardt with Musical Direction by Michael Clark, this zany and
uproarious musical send-up will have your gut aching with laughs. Nobody’s in
the mud, nobody’s in distress in this production— except the characters
themselves— and it’s a madcap scream from simple start to diabolical finish.

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She Loves Me at Silhouette Stages

Thank you, Madam (and gents and everyone), do come again, do
come again— to Silhouette Stages to see a rather invigorating production of She
Loves Me
, Directed by Stephan Foreman with Musical Direction by Andrew
Zile. The dated and somewhat stale musical finds a vivacious new life under
Foreman’s magical direction; his attention to detail, precision casting choices,
and overall approach to the performance gives it a bubbly exuberance that makes
for a thoroughly enjoyable evening of musical theatre (even if they are
tricking you into your first Christmas show of the 2019 calendar season— in
mid-October.)

Angelica Peaco (left) as Ilona Ritter and Kelly Rardon (right) as Amalia Balash in She Loves Me at Silhouette StagesAmanda N.

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The Company of ASoB's 25th Annual Putnam County Spelling Bee

The 25th Annual Putnam County Spelling Bee at Artistic Synergy of Baltimore

Miraculous— (adjective.)
“performed by or involving a supernatural power or agency. Of the nature of a
miracle; marvelous. Having or seeming to have the power to work miracles.” This
current production of The 25th
Annual Putnam County Spelling Bee
is a miraculous show put forth by
Artistic Synergy. M-I-R-A-C-U-L-O-U-S. Produced
by Melissa Broy Fortson, with Direction by Atticus Cooper Boidy, and Musical
Direction by Rachel Sandler, the astonishing talent, the heartfelt
performances,

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Rumors at Colonial Players

“How do rumors get started, they’re started by the jealous people and….,” no wait, that was the Timex Social Club. We’re talking Neil Simon’s Rumors at The Colonial Players. The Maryland General Assembly may not be in session but Director Atticus Cooper Boidy has Annapolis all a buzz. Simply put, Mr. Boidy delivers perhaps the best production you’ll see in the state capitol this year. His understanding of comedic timing and how to navigate a farce is incredible.

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