Experimental, absurd, and downright surreal new works seem to be dominating playhouses lately, and why not? If art reflects the times in which it is conceived, then it’s no wonder that the larger-than-life senselessness we’ve collectively been adrift in for the past several years has provoked playwrights and directors to express themselves in weirder ways, eschewing formal dramatic structures and revivals of familiar shows for endeavors which feel more like cultural primal screams.

Pieces meant to confuse and challenge us – to shake us out of our complacency and remind us of the horribly high stakes of just being alive at this precarious point in history.

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