“And nobody out there ever gets to define the life I’m meant to lead with this unruly heart of mine.” Because love is love is love is love. And you will fall in love with The Prom at Cockpit in Court. Not because it’s an amazing story that should be told and seen and heard and embraced. Not because it has an amazing cast chock-a-block with sensational talent all across the board or because its got astonishing scenery,
“…truly a singular sensation…full of heart, full of feeling, full of beautiful sounds and amazing dance routines…”
Hey, pal! Come here and shoot a president— or maybe just watch Stillpointe Theatre Initiative and Spotlight UB do it instead with their production of Assassins. With complex Music and Lyrics by Stephen Sondheim and Book by John Weidman, this edgy obscure musical is poignant and relevantly delivered for the current political climate and packs a powerful message to the audience. Co-Directed by Ryan Haase and Kimberly Lynne, the production sparkles with a twisted sense of patriotic pride amid a shimmering sea of talent.
Piece together, for a moment if you can imagine, all of the fancy finery that floats to mind when you utter the words Victorian London. Let those images of haughty parlors, high cinched collars, and stodgy outfits with miles of lace drift dreamily through your mind along the delectable operetta-style story telling of W. S. Gilbert. Add the accompaniment of Music by Michael Nash, T. German Reed, and a little hint of Arthur Sullivan.
The more insane a man is, the more powerful he becomes. To experience the ultimate theatrical power in action join the Psychoceramics— humanity’s crackpots— at The Audrey Herman Spotlighters Theatre for their production of Dale Wasserman’s One Flew Over the Cuckoo’s Nest. Directed by Greg Bell, this gripping off-kilter psycho drama, adapted from the novel by Ken Kesey, delves deep into the human psyche and confronts the inner pollutions of the minds of society’s outcasts: the insane.