Articles Tagged With: Broadway at The National

Jake Odmark (left) as Beau and Danielle Wade (right) as Maizy in Shucked đź“·Matthew Murphy

Shucked at The National

author: Erin Tarpley

“From Farm to Fable”

What did the corn say when it received a compliment?

“Aw, shucks!”

And there are so, so many compliments to shuck around this a-maize-ing show that one could say is outstanding in its field with its whirlwind of corny puns and jokes which is simply named: Shucked.

In case you have never heard of this show,

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A Beautiful Noise: The Neil Diamond Musical đź“·Jeremy Daniel

A Beautiful Noise at The National Theatre

“…a sparking diamond of its time; it truly lives up to its namesake…”

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The North American Tour Boleyn Company of Six đź“· Joan Marcus

Six at The National Theater DC

Get your hands up, DC! Get this party buzzin’! You wanna Queen Bee? Well, here’s half a dozen! Everybody knows that they used to be six wives… and just for you tonight (and every night through December 1st 2024) they’re live at Washington DC’s National Theater— count them— one…two…three…four…five…SIX. The high-octane, super-sassy musical sensation (by Toby Marlow & Lucy Moss) has landed— once again in the nation’s capital and is here to wake you up,

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The North American Tour of 'Come From Away' ???? Matthew Murphy

Come From Away at The National Theatre

Welcome to the rock if you come from away! You’ll probably understand about half of what they say— if you’re coming out to DC— then let The National point the way— be sure to get your tickets to see Come From Away. The remarkable and outstanding musical with music, book, and lyrics by Irene Sankoff & David Hein, Come From Away is a stunning experience of the stories that were started when the world stopped on September 11,

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Evan Zimmerman

Tootsie at The National Theatre

The touring production of Tootsie, a musical spin on the classic 1982 film comedy, plays at the National Theatre from Dec 7 through 12th, delivering old-fashioned, crowd-pleasing antics.

The plot concerns Michael Dorsey (Drew Becker), an NYC actor desperate to be cast in anything, who eventually auditions for a play disguised as a woman he names Dorothy Michaels. Not only is he cast but becoming “Dorothy” allows him to “access his inner female” in a way that creates both emotional growth and increasingly comic complications.  

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