Articles Tagged With: Bruce Kapplin

Into The Woods at the Vagabond Players 📷 Shealyn Jae Photography

Into The Woods at Vagabond Players

Reviews October 22, 2024 Amanda N. Gunther 2 Comments

Every moment is a moment when you’re in the woods— again please.

It’s the Vagabond Players’ turn to try their hand at Sondheim’s most beastly bear…Into The Woods, under the co-direction of Audra M. Mullen and Kerry Simons, launches its five-weekend run as the first show of the company’s 109th season. With Musical Direction by Stephen M. Deininger, this challenging Sondheim musical has a few twists, turns, and pleasant surprises in store for audiences who are familiar with the work,

Doubt, a Parable at Vagabond Players

Reviews April 9, 2024 Amanda N. Gunther

Innocence is only wisdom in a world without evil. But why is it we are so quick to believe that of which we are not certain? Why are we so quick to judge? The most innocent interaction can see seem sinister to a poisoned mind. Why do we let our minds be primed so readily with poison? In a striking and evocative drama now appearing on the Vagabond Players’ stage as the penultimate production of their 108th season,

Dontrell, Who Kissed The Sea at Sisters Freehold

Reviews February 23, 2024 Amanda N. Gunther

Dreams are dreams. Awake is awake. Know the difference. But if you don’t know— or don’t want to know? In stunningly beautiful narrative that blend magical realism with the burning yen to simultaneously connect one’s past to one’s future, Dontrell, Who Kissed The Sea is playing a limited engagement with Sisters Freehold currently at The Peale Museum for the next two weekends. This evocative coming-of-age journey, written by Nathan Alan Davis and directed by Makeima Elise Freeland,

Blown Away: An Interview with Iron Crow Theatre’s Natka Bianchini on Hurricane Diane

Interviews January 16, 2023 Amanda N. Gunther

Gods don’t die; they just change form. And what if one of the most revered Gods of all time— especially to those in the theatre community— were to reappear in a different form, come down to earth and hope to bring about a change of days? Then you sound like you might be prepared for Iron Crow Theatre’s production of Madeleine George’s Hurricane Diane. And if you’d like to be more prepared,

Mankind at Iron Crow Theatre

Reviews October 10, 2022 Joshua Bermont

Representing the triumphant return of the Iron Crow Theatre after their long pandemic hiatus, Mankind – written by Robert O’Hara, and directed by Ann Turiano – is a bold and beautifully-presented madcap satire that throws stones at such formidable topics as religion, anti-abortion legislation, and an upside-down world where “FEMINISM!” is a battle cry while women themselves are an afterthought.

This frenetic cyclone of ever-escalating absurdity takes place in a future where women have been extinct for over a century,

Serious Adverse Effects at Rapid Lemon Productions

Reviews May 8, 2021 Amanda N. Gunther

Your mind is boundless. Allow this notion to guide you closure to the fullness of you. Or allow Rapid Lemon Productions and their first live on-stage performance of 2021 to guide you to the fullness of you. After over a year’s hiatus from live, in-person, on-stage performances due to the Covid-19 global pandemic, Rapid Lemon Productions is back in action with a world premiere of Serious Adverse Effects by upcoming playwright Derek Lee McPhatter.

Give Me Moonlight

Reviews February 12, 2020 Amanda N. Gunther

There are somethings that you cannot put into words;
experiencing the joy of a world premiere is one of those things. Rapid Lemon
Productions presents the world premiere of Give Me Moonlight by Ariel
Mitchell. This surrealist tale of historical happenings in rooted in the truth
of Albert and Bessie Johnson, who eventually built a castle in Death Valley. Directed
by Noah Silas, the play features just four actors and carries a loosely woven
narrative of hope and despair,

Variations on Myth at Rapid Lemon

Reviews May 12, 2019 Joseph R. Kennedy

In Rapid Lemon’s Variations on
Myth, director T. P. Huth takes advantage of the emotional ride a series of
ten-minute plays can create if presented in an order that allows them to
strengthen one another. It is too often that a series of smaller plays is
presented as hors d’oeuvres, being consumed individually without thought to if
the first appetizes the audience for the second, whereas this collection of ten-minute
plays formed a cohesive experience.