Articles Tagged With: Chesapeake Shakespeare Company

Zipporah Brown Gladden (left) as Mattie Campbell and Miley Folley (right) as Jeremy Furlow in Joe Turner's Come and Gone at Chesapeake Shakespeare Company ???? Kiirstn Pagan Photography

Joe Turner’s Come and Gone at Chesapeake Shakespeare Company

If you forget your song or how to sing it, you forget who you are. There’s something powerful in that paraphrased saying from August Wilson’s Joe Turner’s Come and Gone, which is appearing live on the main stage at Chesapeake Shakespeare Company, as a part of the Baltimore City-wide “Baltimore August Wilson Celebration.” As the second production in this city-wide festival, committed to producing ten of August Wilson’s works in chronological order (of when they take place,

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The cast of Chesapeake Shakespeare Company’s Romeo and Juliet ???? Kiirstn Pagan Photography

Romeo & Juliet at Chesapeake Shakespeare Company

If love be rough— be rough with love! Or get on down to Club Escalus for Mercutio’s Funky Boogie Woogie! Or both! All of the above. Groove to rhythm of ’75, baby— and nah, we don’t mean no 1575. We’re talkin’ 1975, ya dig? And we’re talkin’ Baltimore Baby! Closing out their 2023/2024 season on their Main Stage (and please join them for their fabulous summer fling out at the PFI in Ellicott City when R&J closes) Chesapeake Shakespeare Company is bringing you the grooviest production of Romeo &

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The cast of Chesapeake Shakespeare Company’s The Oresteia. ???? Kiirstn Pagan Photography.

The Oresteia at Chesapeake Shakespeare Company

Do I remember this? Or is this what’s about to happen? This is no dream. This is no vision. This is the truth. Profound words. Or are they questions? What are words if not questions? You’ll hear them over and over— though never truly in one voice as one might expect from a chorus in a Greek tragedy; their effect, however, is no less striking. Chesapeake Shakespeare Company presents The Oresteia freely adapted from Aeschylus by Ellen McLaughlin and directed by Lise Bruneau.

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Chesapeake Shakespeare Company presents As You Like It ???? Kiirstn Pagan

As You Like It at Chesapeake Shakespeare Company

It was a bright and cold day in September and the clocks were striking 13.  No, that’s not quite right.

We that are true lovers run into strange capers. That’s more like it. Or rather, Shakespeare’s As You Like It, as directed by Ian Gallanar now appearing on the stages of Chesapeake Shakespeare Company’s boards for their fall-opening of the 2023/2024 season. Though one could readily meet the confusion of “Am I watching George Orwell’s 1984 (or even L.

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Mecca Verdell, Keri Anderson, and Jordan Stanford as the Three Weird Sister in Macbeth ???? Kiirstn Pagan Photography

Macbeth at Chesapeake Shakespeare Company

“By the pricking of my thumbs, something wicked this way comes”

“Now is the Winter of our discontent”…. No wait, nevermind.  That’s a different Shakespeare show, and a different season entirely. But Summer is here in Maryland and when it comes to the Macbeths, “discontent” is an apropos word to define their predicament, but the exact opposite to describe how you will feel as you enjoy this timeless production of the Scottish Play;

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Vince Eisenson (left) as Hamlet and JC Payne (Laertes) ????Kiirstn Pagan

Hamlet at Chesapeake Shakespeare Company

When the play opens with the infamous “To be or not to be…” you start to think time is out of joint. Or maybe that you’ve just misremembered how Hamlet starts? You ever look at one of those maps of the United States where all the states have been shoved around into different spaces in the outline but it still mostly looks like the outline of the country even though everything is all discombobulated?

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Scott Alan Small, Kathryne Daniels and Shaquille Stewart in The Complete Works of William Shakespeare (abridged).???? Kiirstn Pagan Photography

The Complete Works of William Shakespeare (Abridged) [Revised] [AGAIN] at Chesapeake Shakespeare Company

What do you get when you mix three actors clad in colored and patterned tights, a giant prop box filled with an assortment of goodies, and a script full of comic gold?  Hilarity, that’s what.  Baltimore’s Chesapeake Shakespeare Company’s (CSC) production of The Complete Works of William Shakespeare (Abridged) [Revised] [Again] opened to a boisterous house, complete with a swanky after-party in their upstairs lounge. 

The Complete Works of William Shakespeare (Abridged) was conceived and written by Adam Long,

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Twelfth Night at Chesapeake Shakespeare Company

What great ones do the less will prattle of— and here be the great ones: Chesapeake Shakespeare Company, in their 20th Anniversary season, presenting to you something certainly worth prattling about! Twelfth Night, directed by the company’s founding Artistic Director, Ian Gallanar, is arguably one of The Bard’s more sensible comedies and CSC does it a great justice with excellent performances, lively music, and a charming aesthetic that would float anyone’s boat.

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Much Ado About Nothing at Chesapeake Shakespeare Company

“Friendship is constant in all other things, Save in the office and affairs of love.”

Love is in the air; but some may need a little meddling, I mean “help,” from their friends to realize it.  As for the audience, it is easy to feel the love in Chesapeake Shakespeare Company’s Much Ado About Nothing.  Playing under the open sky and in the ruins at the PFI Historic Park in Ellicott City now through July 24th,

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Samuel Adams and the cast of Henry V. ????Kiirstn Pagan

Henry V at Chesapeake Shakespeare Company

“Oh for a muse of fire that would reach the uppermost heights of creativity— the stage a kingdom…” we’ve all heard it. We all recognize it. Do we all know that it comes from one of Shakespeare’s histories? You may have heard it, recognize it, and even know that it comes from Henry V, but you’ve never heard it until you hear it slipping delicately over the lips of Lesley Malin, Chesapeake Shakespeare Company’s Executive Producing Director— or for the purposes of this performance— The Chorus.

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The Complete Works of William Shakespeare Abridged at Chesapeake Shakespeare Company

To laugh? Or not to laugh? That won’t really be much of a
question as Chesapeake Shakespeare Company attempts all 37 of Shakespeare’s
plays with three guys, one stage, and 2 hours traffic upon it. Yes, the Bard’s
almighty collection— as condensed, despoiled, and distilled by Adam Long,
Daniel Singer, and Jess Winfield— also entitled The Complete Works of William
Shakespeare Abridged
— now finds its way onto the Globe-esque stage of Chesapeake
Shakespeare Company under the direction of Artistic Director Ian Gallanar.

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Just Listen to That! The Voice of Argentina: An Interview with the Leads of Evita at Spotlighters Theatre

Oh what a circus! Oh what a show! It’s quite a sunset, but don’t cry for the Argentinians just yet, Charm City! Not until you’ve read this riveting TheatreBloom exclusive interview with the actors in the lead roles at the upcoming production of Evita The Audrey Herman Spotlighters Theatre. With a wealth of knowledge on their characters, and great opinions on how this “old school” musical is surging with relevance today’s audiences, we sit down to talk over the characters of Eva Duarte de Perón,

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No Darkness But Ignorance- Shedding Light on Trans* Twelfth Night: An Interview with Logan Davidson, Jane Jongeward, Danielle Vitullo, and Dana Woodson

In the third installment of a series of interviews with the cast and directors of Twelfth Night, a co-production between Cohesion Theatre Company and Iron Crow Theatre appearing in the Trans* Voices Workshop Series, TheatreBloom sits down with actors Logan Davidson, Jane Jongeward, Danielle Vitullo, and Dana Woodson to hear about their experience with the production.

If you could give us an introduction of who you are and who you’re playing in the show as well as a little bit of your performance background from the area that would be a great start.

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No Darkness But Ignorance- Shedding Light on Trans* Twelfth Night: An Interview with Caitlyn Carbone, Nick Delaney, Lilian Oben, and Matthew Payne

Following up the successful interview with Director Phil Vannoorbeeck and Assistant Director Sarah Maher, TheatreBloom sits down with four of the ten actors involved with the Trans* Voices Workshop Series production of Twelfth Night to have them shed further light on the experience.

If you could give us a brief introduction to who you are, who you are in the show, and what work you’ve done in the area, we’ll get started.

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#WEIRDFRANCE: An Interview with the Three Leading Actors

Whet your appetite a little further on this curious cuisine of surrealist normalcy in an absurdist reality. In Part 2 of #weirdfrance, TheatreBloom continues its quest to learn about all the crazy things happening in the Cohesion Theatre Company production of 13 Dead Husbands. This time we’ve gathered the three leading men, Thomas Sinn, Bobby Henneburg, and Matthew Payne, to hear their take on #weirdfrance.

If you fellas can give us a quick introduction,

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Gaveston (l- Taylor Rieland) and Edward II (r- Jonas David Grey)

To Be Richard or To Be Edward? That is the Interview with Chesapeake Shakespeare Company Member Jonas David Grey

“But whate’er I be, nor I, nor any man that but man is, with nothing shall be pleased till he be eased with being nothing.” A profoundly Zen quote to come from the tongue of Shakespeare. Uttered by the title character of Richard II, which is now playing at Chesapeake Shakespeare Company under the direction of Kevin J. Costa, the quote brings to mind a different way of viewing life and of viewing Shakespeare’s tragic histories.

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Review: Richard II at Chesapeake Shakespeare Company

What can we bequeath save our deposed bodies to the ground? Shakespearean essence in its purest sense; we are the stuff that dust is made of and our legacy is little more than our fragile mortal coil. An innovative new way of experiencing Shakespearean tragedy is striking up discourse on the stage of Chesapeake Shakespeare Company as the 2014 season progresses. The rarely performed Richard II is reinventing the meaning of tragedy under the skillful direction of Kevin J.

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Kathryn Elizabeth Kelly as Titania, Queen of Fairies (l) and Gregory Burgess as Nick Bottom, the weaver (r)

Review: A Midsummer Night’s Dream at Chesapeake Shakespeare Company

You’re innocent when you dream. And if we are such stuff that dreams are made on than perhaps are all but mere innocent mortals; pawns in the great scheme of a Fairy’s game. The inaugural production of Chesapeake Shakespeare Company’s first season in their new home in Baltimore City kicks off with a dreamy bang. A visual delight, an aural treat, an experience to savor; A Midsummer Night’s Dream, now directed by company Artistic Director Ian Gallanar,

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