“So how can I deny? I’ve got a monster, I’ve got a monster inside”
Are you in the mood for love? How about giant kaijus smashing the city while rocking out to some stellar music… and in the mood for love? Well, with the Baltimore Rock Opera Society’s Love & ROAR! you get all this and more! Playing through November 19th at the old (previously vacant) bank building at 1 E.
The long-awaited epic adventure has finally arrived! Returning to their first, live-in-person performance, the Baltimore Rock Opera Society is rocking Glitterus: Dragon Rising onto their home stage at the Zion Lutheran Church this spring! Playing mid-May through the first weekend in June, this epic quest-rock-musical, in true BROS style has everything one could hope for from a BROS show— including a zany but impressively well-scripted plot, astonishing costumes and set pieces, giant puppets,
Tonight is the eve of humanity’s reckoning! Because The Baltimore Rock Opera Society is absolutely going to raise some hell— quite literally— in what could arguably be the most fantastic sendup to B-grade horror films of yesteryore with their latest original creation: Incredibly Dead! The B-Horror Rock Opera. Co-Directed by Michael Ziccardi and Sarah Gretchen Doccolo, with Musical Direction by Paul Joyce, and Choreography by Caitlin Rife, this zany, whacky, so-bad-it’s-good comedic musical is all of their own creation and it’s a thoroughly hilarious encounter.
As foretold by The Argus, in Chapter 9, Section Beta, Paragraph Crimson, Sub-paragraph Python, Verse #69— all denizens of Baltimore will report to the Zion Lutheran Chruch between the dates of NOW and October 8, 2017* to experience The Terrible Secret of Lunastus! Not even the forces that be can stop The Baltimore Rock Opera Society from getting a show up and produced this year! Revitalizing, resurging, and remounting the 2011 production of The Terrible Secret of Lunastus,
Taut sails and fair winds! Load the cannons and hone blades— you’re bound for Tortuga! Baltimore Rock Opera Society is taking to the high seas with their second all-original work of 2016, Brides of Tortuga. Debuting on the successful tailwinds of Chronoshred: The Adventures of Stardust Lazerdong and the remount of Amphion, this swarthy conclusion of the 2016 season serves as a female-empowering vessel of nautical revelry with great creative potential sprinkled liberally throughout the production.
Good evening, Charm City. It’s 9:00 o’clock. Do you know where your children are? If they’re good little children, then they’ve settled into The Wind-Up Space for an evening of radio broadcast that is the strangest, most bizarre thing ever heard, at least this side of millennial temporal rift! Broadcasting live from W-IND studios, Horatio Dark’s Between the Lines is here and it’s a doozy. Featuring just one recurring serial and three new non sequiturs,
Do you really have to lose yourself to love somebody else? Sure, give them a piece of your soul, a piece of your heart, but is a total merger of two people into one person really a necessity when it comes to love and marriage, particularly the latter part? If so, at least when it comes to marriage? You’re doing it wrong. BOOM Theatre Company presents the world premiere of Samantha Allen’s first script,
We now interrupt your regularly scheduled Thursday evening programing to bring you the March installment of Horatio Dark’s Between the Lines. Brought to you by Truth Dollars, the only way to fight communism behind the iron fence, this week’s monthly broadcast has temporarily relocated from its regularly scheduled Monday night time slot to a terrifying Thursday evening. Just what has old Horatio concocted in his lab that has the show traveling about through the nights of the week?
Good evening, Charm City. It’s 9:00 o’clock, not quite the witching hour but certainly the hour to be bewitched by your favorite radio program host— the master of the macabre! The antiquarian of the insane! The navigator of the netherworld! Why, it’s time to grace your ears with the haunting styles of Horatio Dark and his monthly broadcast of Between the Lines. Presented in live and living color from the radio-broadcast station of WYST (taking up residence in the old Yellow Sign Theatre up on North Charles Street in Station North),
The master of the macabre, the navigator of the netherworld, the antiquarian of the insane— why it can only mean one thing! That it’s 9:00 o’clock, Baltimore, it’s the last Monday of the month, and it’s time for Horatio Dark’s Between the Lines at Yellow Sign Theatre. Commemorating a milestone on this very last Monday of the 2015 calendar year, Horatio Dark concludes its first season of broadcasts with this latest episode.
You want to have your cake and eat it too. Well don’t we all. But maybe you can have your cake and eat it too, at least when it comes to loving and feeling emotions for more than one person in a relationship circumstance. At least that seems to be the path of exploration occurring in the world premiere production of Ryan Nicotra’s Circle Circle Dot Dot at BOOM Theatre Company this December.
To have a dark task isn’t the worst fate, even death does not hold that honor. The gods will not be plagued if you do not call after them, but they may lay a pox upon you if you don’t call after Glass Mind Theatre and their current production of The Pretties. Inspired by The Oresteia and Adapted by Ann Turiano, The Pretties unfolds in a new performance space for GMT under the Direction of Lynn Morton.
Ladies and gentlemen! Step right up! The circus has come to town! Only, not exactly. Hold onto your brain-balls, it’s about to get a little bit “thinky” over at Single Carrot Theatre as they launch the first production of a brand new initiative called their ‘Featured Second Series.’ Existing outside of the Carrots’ 8th season, this second series will serve as a theatrical incubator; a safe space for shows that take big risks on tiny budgets.