author: Jake Schwartz
Let’s do the time warp again! But this time, in the 60s! Stand Up for… Theatre returns with their third annual production of Rocky Horror, but this time with a groovy twist! Everything from references to Beach Boys, Scooby Doo gags, Laugh In, to the entire set being painted a yellow floral pattern, director Ed Higgins wanted a 60s feel and he sure got one!
Arsenic Silliness of Baltimore, no wait, that’s not right. A Summer of Brewsters, no that doesn’t sound right either. Oh, I remember, it’s Arsenic & Old Lace at Artistic Synergy of Baltimore! Three years of no theatre has my brain a little foggy, but Sarah O’Hara’s directorial debut makes it clear that she and ASoB are back! Not only are they back, they are back with a bang, or in this case a sip.
Whenever
I am assigned to review a show presented by Stand Up For… Theatre, I know for
sure that I am going to be challenged to examine my conscience. For years now SUFT,
the theatrical division of Erase Hate Through Art, has been giving us
productions that challenge us to not only look at the world around us and the
role we play in it, but our perception of the madness that surrounds us.
What do you want, Baltimore? Do you want the moon? Just say the word and George Bailey will throw a lasso around it and pull it down. Third Wall Productions seems to think that’s a pretty good idea. So they’re going to give you the moon— in the form a musical adaptation of Frank Capra’s Bedford Falls icon, called A Wonderful Life. With Books & Lyrics by Sheldon Harnick and Music by Joe Raposo,