Which
Inquisitive
Theatre
Challenges
Humanity?
Not nearly as clever as some of the textual incarnations of the acronym of the show’s title— like “Why Is The Church Heretical?” or “Why Is This Continually Happening?” or “What Is This Cult Hollywood?” but I wanted to throw my broomstick in the cauldron so to speak.
Do you suffer from ADHD and Dyslexia? Does trouble follow you everywhere you go? Do seemingly random people in your day-to-day life that nobody else can remember being there spontaneously turn into scary monsters trying to kill you? You might be a Demigod! A word of caution: when attempting to self-diagnose Demigodism, move at the speed of a mortal: very, very slowly. Or maybe you’re just thrillified that Silhouette Stages is producing The Lighting Thief: The Percy Jackson Musical.
They’ve got that beeeeeend and SNAP! See how good they’re
getting? Beeeeeend and SNAP! All the fun they’re having? They’ve sprung the trap;
you’ll cheer and clap for their beeeeeend and SNAP! And generally for their
production of Legally Blonde! Third Wall Productions breaks up the
midwinter blues with their second show of the 2019-2020 season— Legally
Blonde! Directed by Henry Cyr with Musical Direction by Patty DeLisle, and
Choreography y Cecilia &
Thank you, Madam (and gents and everyone), do come again, do
come again— to Silhouette Stages to see a rather invigorating production of She
Loves Me, Directed by Stephan Foreman with Musical Direction by Andrew
Zile. The dated and somewhat stale musical finds a vivacious new life under
Foreman’s magical direction; his attention to detail, precision casting choices,
and overall approach to the performance gives it a bubbly exuberance that makes
for a thoroughly enjoyable evening of musical theatre (even if they are
tricking you into your first Christmas show of the 2019 calendar season— in
mid-October.)
The sun on Columbia is summery warm. It’s shining on a
theatre gem. So gather together and see their show. Tomorrow belongs— to them.
Silhouette Stages mounts the production of the season— Kander & Ebb’s Cabaret as Directed by Stephen Foreman,
with Musical Direction by Michael Tan and Choreography by Aime Bell. Truly not
your momma’s Cabaret, this heady and
intoxicating production doesn’t just showcase the darkness burbling readily
beneath the surface of the iconic Kander &
Move toward the darkness.
Don’t avoid despair.
Creep into Silhouette Stages
And you’ll see what’s there!
They’ve got family first— and family last— and family through and through! They’ve got The Addams…and now they’re waiting just for you! After its run on the circuit of community and professional houses all over the tristate area, The Addams Family musical has risen from the dead in time for Halloween and is taking up a three-week residence at Silhouette Stages.
If you’re blue— and don’t know where to go— why don’t you go where theatre’s fine?
See Young Frankenstein!
Different songs to really please the ear— dancing feet to watch and you’ll cheer— it’s sublime!
See Young Frankenstein!
Dressed up like a million-dollar trooper! Trying hard to look like Gary Cooper— it’s SUPERDUPER!
You won’t get to see a better show— and Columbia is the place to go— take their word and mine!
It’s a beautiful day for an anti-polio picnic! It’s a beautiful day to get a polio shot! And if you’re in for all that plus an insanely good production, well then at Silhouette Stage, you’ve come to the right spot! Watch your a$$ and do take care because there’s talent lurking everywhere all throughout Silhouette Stage’s production of Cry Baby: The Musical. Directed and Choreographed by Tommy Malek with Musical Direction by John Keister and Nathan Scavilla,
Have you heard about the mania? If not, then let me explain-iya, popping up in Columb-ania— yes, sir! It’s the Transylvania Mania! And it’s making its way across Silhouette Stages this October in the guise of And it’s making its way across Silhouette Stages this October in the guise of the new Mel Brooks’ musical, Young Frankenstein. Directed and Choreographed by Tommy Malek with Musical Direction by Nathan C. Scavilla, it’s a doozy— it’ll make you woozy— this masterpiece and phenomenon!
