Articles Tagged With: Dan O’Brien

Zipporah Brown Gladden (left) as Mattie Campbell and Miley Folley (right) as Jeremy Furlow in Joe Turner's Come and Gone at Chesapeake Shakespeare Company ???? Kiirstn Pagan Photography

Joe Turner’s Come and Gone at Chesapeake Shakespeare Company

If you forget your song or how to sing it, you forget who you are. There’s something powerful in that paraphrased saying from August Wilson’s Joe Turner’s Come and Gone, which is appearing live on the main stage at Chesapeake Shakespeare Company, as a part of the Baltimore City-wide “Baltimore August Wilson Celebration.” As the second production in this city-wide festival, committed to producing ten of August Wilson’s works in chronological order (of when they take place,

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Chesapeake Shakespeare Company presents As You Like It ???? Kiirstn Pagan

As You Like It at Chesapeake Shakespeare Company

It was a bright and cold day in September and the clocks were striking 13.  No, that’s not quite right.

We that are true lovers run into strange capers. That’s more like it. Or rather, Shakespeare’s As You Like It, as directed by Ian Gallanar now appearing on the stages of Chesapeake Shakespeare Company’s boards for their fall-opening of the 2023/2024 season. Though one could readily meet the confusion of “Am I watching George Orwell’s 1984 (or even L.

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Mecca Verdell, Keri Anderson, and Jordan Stanford as the Three Weird Sister in Macbeth ???? Kiirstn Pagan Photography

Macbeth at Chesapeake Shakespeare Company

“By the pricking of my thumbs, something wicked this way comes”

“Now is the Winter of our discontent”…. No wait, nevermind.  That’s a different Shakespeare show, and a different season entirely. But Summer is here in Maryland and when it comes to the Macbeths, “discontent” is an apropos word to define their predicament, but the exact opposite to describe how you will feel as you enjoy this timeless production of the Scottish Play;

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Samuel Adams and the cast of Henry V. ????Kiirstn Pagan

Henry V at Chesapeake Shakespeare Company

“Oh for a muse of fire that would reach the uppermost heights of creativity— the stage a kingdom…” we’ve all heard it. We all recognize it. Do we all know that it comes from one of Shakespeare’s histories? You may have heard it, recognize it, and even know that it comes from Henry V, but you’ve never heard it until you hear it slipping delicately over the lips of Lesley Malin, Chesapeake Shakespeare Company’s Executive Producing Director— or for the purposes of this performance— The Chorus.

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Review: The Body of An American at Theatre J

This is fresh air. A play so horrifically captivating that it fuses your eyeballs to every flicker of movement, melds your eardrums to every shock of sound, and merges your mind to every explosive thought and disruptive emotion as they occur. Dan O’Brien’s The Body of an American seizes audiences of Theater J with captivating force, tumultuously upending their emotional equilibrium in the exploitative journey of a playwright and his relationship with Canadian Photojournalist Paul Watson.

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