What a chilly evening! Havre de Grace is all aglow! Don’t it feel like it might snow? Such a merry season! Don’tcha love it so? Merry Christmas, dearie— time to go! To Tidewater Players’ production of A Christmas Carol. Yes, it’s mid-November, and yes Thanksgiving is still two weeks away, but gosh darn it in the infamous words of Auntie Mame (yes, yes, different show, I know) “…we need a little Christmas!
Just listen to that! The voice of Argentina! They are loved and adored! Just Off Broadway throwing their hats into the ring for this autumnal season’s offering of Evita. Directed by Jason Crawford, with Musical Direction by Patty DeLisle, and Choreography by Katie Noppinger, this Tim Rice & Andrew Lloyd Webber operatic musical (with no spoken dialogue) comes to Epiphany Lutheran Church via Just Off Broadway for two weekends only this November and it has its moments and it has its style.
Wonder of wonders, miracle of miracles! Phoenix Festival Theater is up in production for the fall! And they’re bringing a time-honored classic, some might call it a musical theatre tradition— Fiddler on the Roof. Directed by Eric Bray Jr., whose main stage directorial debut could not have been more successful, with Musical Direction by Rebecca Rossello, and Choreography by Karlie Surgeon, this insightfully nuanced and emotionally driven production is truly an extraordinary feat,
author: Erin Klarner
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The Wedding Singer at Artistic Synergy of Baltimore, the company-in-residence at Prince of Peace Lutheran Church in Rosedale, is directed by Bryan Brown, assistant directed by Lou Otero, and music directed by Darwin Ray, with choreography by Suzy Zacker. This stage musical – book by Chad Beguelin and Tim Herlihy, music by Matthew Sklar, and lyrics also by Chad Beguilin – is based on a popular 1998 movie (of the same title) which this reviewer has never seen,
Dear Diary,
My teenage angst bullsh*t now has a body count. But what’s your damage, Heather? Is your name even Heather? Just in case it isn’t, Third Wall Productions has a whole bunch of them (three to be in fact) with their fiery production of the screen-to-stage musical Heathers, now playing through April 14th 2024. Directed by Jake Schwarts with Musical Direction by Anton Van De Motter and Choreography by Kelly Williams Carlson,
The Very Model of a Modern Major Musical: Gilbert & Sullivan’s The Pirates of Penzance at Artistic Synergy of Baltimore
 W.S. Gilbert & Arthur Sullivan’s classic comedic opera comes to life at Artistic Synergy of Baltimore! The Pirates of Penzance follows hopeful orphan Frederic in his mistaken apprenticeship with a wild band of singing, dancing pirates! Frederic’s story takes a drastic turn when he falls in love with Mabel,
To theatre! To theatre! L’chaim! To Beth Tfiloh Community Theatre! L’chaim! After an eternity of waiting, they’ve finally been granted the rights from on high…up in New York or wherever MTI is headquartering these days! After many denied applications for one reason or another, Beth Tfiloh Community Theatre has finally been approved to produce Fiddler On The Roof! L’chaim! Directed by Diane M. Smith with Musical Direction by Charlotte Evans Crowley and Choreography by Rachel Miller,
Stand Up For…Theatre (SUF…T) is bringing its stage adaptation of L. Frank Baum’s The Wizard of Oz to the DoodleHatch Interactive Art Museum in Columbia from June 9 to June 18. This timeless tale, in which Dorothy travels from Kansas over the rainbow to the magical Land of Oz, is sure to delight kids of all ages who want to join in on the adventure and follow the yellow brick road to see the great Wizard of Oz!
Dazzling.
In a word. To add another, dizzying and astonishing, though technically that’s two. As a writer I often find it a challenge, though one I’m ready to embrace, to put the right words to paper (digital though it may be in this day and age) in order to describe an experience, relate a situation, review a performance. I cannot recall a time in recent memory (even before the Pandemic) where such a challenge befell me and I was honestly at a loss for words.
Move over, Tom Stoppard (and also Disney-Marvel-verse). You no longer hold the market on “origin backstory/alternate POV” when it comes to Shakespeare. That’s right, there’s a new— okay, not new, per say— but there’s another option when it comes to doing weird stuff with Shakespeare that isn’t Shakespeare but still is totally Shakespeare. And Artistic Synergy of Baltimore’s children’s performance group has got it. The Rude Mechanicals, by Ed Graczyk, is now appearing on the ASoB stage,
There is a jukebox musical that has all of Rosedale
shakin’! It’s Emma! A Pop Musical, now playing at Artistic Synergy of
Baltimore. There is so much energy from the cast they will have you toe tapping
and maybe even dancing in the aisle.
Amanda N. Gunther | TheatreBloom
First time Director Jake Schwartz burst onto the scene
and even shows up in a scene or two.
Phone rings, door chimes, and in comes a charming and comical production of Company, Sondheim’s musical comedy, presented by Just-Off Broadway in Baltimore! Company, one of the first successful Broadway musicals written about adult themes and relationships, was the winner of 1971 Tony Awards for Best Book, Best Score, Best Lyrics, and Best Musical. The themes of bachelorhood, marriage, and how to form and maintain relationships are enduringly relevant more than three decades later.