Articles Tagged With: David Crandall

Review: 1-800-Mice at Annex Theatre

You only live twice or so it seems, one life for yourself and one for your dreams. Annex Theatre might make you consider the dream life that you are or are not living at least twice with their current production of 1-800-Mice. Based on the comics of Matthew Thurber and adapted to the stage by Carly J. Bales and Sarah Jacklin, this absurdist nightmarish dreamscape takes interpretive experimental theatre to new levels with its nonsensical existence and surrealist approach to absurdism.

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Review: Stupid Ghost at Annex Theater

The broad specter-spectrum when it comes to ghosts is limited to the dichotomy of baddies and goodies. There are the spook-you-till-you-scream, chain-rattling, malevolent haunts that will get you. And there are the friendly kind— the happy haunts who materialize for a midnight spree with the vocalizing and harmonizing and socializing. But what if neither of those categories were true? What if ghosts just were? They exist; they drift clueless in the woods while listening to music and have no intention of helping or hurting you.

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Review: The Master and Margarita at The Annex Theater

What is truth? Satan’s hung out on Pontius Pilate’s balcony, had breakfast with Kant, and now he’s up for a jaunty holiday through Moscow. But will the unexpectedly mortal nature of man be enough to feed his musing folly? Annex Theater has contrived something completely absurd with their production of The Master and Margarita, adapted to the stage by Jacob Budenz from the novel of Mikhail Bulgakov. Budenz, who also serves as the show’s director,

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Review: Minotaur at Annex Theatre

Seek summer south. Seek winter north. Seek autumn west. Seek spring east. Seek Minotaur at Annex Theater. Playing heavily into their season of Wondrous Strange, discovering identity through amazing adventure and twisted paths, this original stage work written and Directed by company member Douglas Johnson, this fully immersive experience follows down the darkened path of sensory-overload that the last few shows of the season have meandered. Powerfully evocative in its ability to disorient the senses through play of the aesthetic,

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Review: Impassioned Embraces at Annex Theatre

Sex and death, love and hate, passion, these are all things that consume our lives, that become our lives should we choose to embrace them. Annex Theatre is indeed embracing all that comes with the appropriately titled Impassioned Embraces, a play by John Pielmeier this winter season. Taking a jaunt down a different path— in a vein almost more suitable for Valentine’s day than the forthcoming Christmas celebration— this evocative and simultaneously hilarious piece of theatrical brilliance will engage audiences from all walks of life and provide nearly three hours of uproarious entertainment that both exposes the mind to humor and danger while tugging the heartstrings in a plethora of new directions.

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Review: Insurrection: Holding History at Annex Theater

It is time for the first to become the last and the last to become the first. A mantra that echoes through the words of playwright Robert O’Hara’s work Insurrection: Holding History. Making its Baltimore debut on The Annex Theater stage under the Direction of Kyle A. Jackson, this provocative work draws forth questions of historical importance in a time that is often called into question, particularly in the way it effects current events.

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