Glass Slipper? ✔
Pumpkin Carriage? ✔
Lousy step-family, prince and princess, big ol’ ball? ✔✔✔
But if you think you know the story of Rogers and Hammerstein’s Cinderella, think again. To quote my 63-year-old mother (who at the time of this review, we’re now 12 hours post leaving the theatre and she’s still telling me things she discovered and was awestruck by and enjoyed), “that was the best,
I’m going to be honest. I’m not Adam Sandler’s biggest fan— or even really a fan, period— by any stretch of the imagination. I don’t like most of his movies, I think he thinks he’s funnier than he actually is, and on the whole, although we’re living in the golden “Oprah Era” of musicals (“…you get a musical, you get a musical, you get a musical, everybody gets a musical!”) and this particular one is not ‘new’ per se,
Do you suffer from ADHD and Dyslexia? Does trouble follow you everywhere you go? Do seemingly random people in your day-to-day life that nobody else can remember being there spontaneously turn into scary monsters trying to kill you? You might be a Demigod! A word of caution: when attempting to self-diagnose Demigodism, move at the speed of a mortal: very, very slowly. Or maybe you’re just thrillified that Silhouette Stages is producing The Lighting Thief: The Percy Jackson Musical.
Thank you, Madam (and gents and everyone), do come again, do
come again— to Silhouette Stages to see a rather invigorating production of She
Loves Me, Directed by Stephan Foreman with Musical Direction by Andrew
Zile. The dated and somewhat stale musical finds a vivacious new life under
Foreman’s magical direction; his attention to detail, precision casting choices,
and overall approach to the performance gives it a bubbly exuberance that makes
for a thoroughly enjoyable evening of musical theatre (even if they are
tricking you into your first Christmas show of the 2019 calendar season— in
mid-October.)
