Tell us your story. Let us talk with each other. But we will soon forget; that is the way of all things. Or is it? Will you forget their story? Partnered in repertory with La Llorona, in Cohesion Theatre Company’s first ever attempt at rotating repertory shows, The Orphan Sea by Caridad Svich boggles the mind over storytelling at its most primitive. Originally commissioned by The University of Missouri-Columbia Department of Theatre,
What’s the weirdest thing you ever believed in? A ghost? A spiritual practice? A religion? What about an urban legend? We’ve all heard them. We all have them. Some of us have even experienced them. What happens when one story crosses through multiple cultures, where everyone knows a different version of the story? Cohesion Theatre Company, in their first attempt at running shows in rep, presents La Llorona, written by Cecelia Raker,
Nothing tastes as good as thin feels. Marilyn Monroe was Jell-o on springs. Harsh mantras that plague the warped minds of frustrated teenage girls in Wendy MacLeod’s Schoolgirl Figure, like those just mentioned, are what fuels this black comedic drama forward at Cohesion Theatre Company this season. Refusing to be weighed-in as an ‘issues play’ under the sharp and succinct visionary approach of Director Jonas David Grey, though MacLeod’s work does address eating disorders,
If music be the food of love, then play on! And play on the Baltimore Shakespeare Factory indeed does with their annual summer offering of Shakespeare in the Meadow! Starting the two-show summer repertory with The Bard’s Twelfth Night, BSF gets well underway with festive merrymaking and their signature use of natural light, basic period costumes, and timely music to suit the show. Directed by Thomas Delise, with Musical Direction by Jim Stimson,