Articles Tagged With: Erin Nealer

Ill Met By Moonlight at The Rude Mechanicals ???? Rachel Duda

Ill Met By Moonlight at The Rude Mechanicals

What hempen home-spuns have we swaggering here? Tis a crew of Rude Mechanicals and they indeed find themselves Ill Met By Moonlight. Some six years in the making, TRM finally gets to bring their dream production of Shakespeare’s A Midsummer Night’s Dream to light. UV light, that is. Playing at the Greenbelt Arts Center through September 9th 2023 and Directed by Joshua Engel, this judiciously rendered production of Midsummer is not your grandfolks’ fairy-tale.

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The Belle’s Stratagem at The Rude Mechanicals

Men are all dissemblers, liars, deceivers! Or something like it, so says playwright Hannah Cowley, author of The Belle’s Stratagem. Not to be confused with The Beaux’ Stratagem, by George Farquhar (though if you stick around in a few weeks’ time, you may see exactly that show on The Rude Mechanicals’ stage!) Belle hit Drury Lane in 1780 whereas Beaux debuted quite a few decades before (and at Theatre Royal) in 1707.

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12 Angry Women at The Rude Mechanicals

What is a reasonable doubt? Google + Merriam-Webster says, “A reasonable doubt exists when a factfinder cannot say with moral certainty that a person is guilty or a particular fact exists. It must be more than an imaginary doubt, and it is often defined judicially as such doubt as would cause a reasonable person to hesitate before acting in a matter of importance.” Perhaps we’re not asking the right question. Perhaps the question should be “what causes someone to have reasonable doubt?” If you want the answer to that,

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Cymbeline at The Rude Mechanicals

Hello.

My name is Amanda Gunther.

You killed all 37.

Prepare to be reviewed.

Going out with a rather impressive bang— though by no means are they finished producing or existing— The Rude Mechanicals, now in full-time residence at The Greenbelt Arts Center, have attained one of their coveted company goals: Produce all 37 of Shakespeare’s plays. Cymbeline, Directed by Erin Nealer, completes the quest of all 37.

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The Country Wife at The Rude Mechanicals

For my part, I will have only those glorious, womanly
pleasures of being very verbose and very favorable to The Rude Mechanical’s
production of William Wycherley’s The Country Wife. A far cry from very
slovenly, though indeed ‘tis very drunk, this quirky Restoration comedy
(apparently there was humor in the restoration era) under the direction of Alan
Duda, finds its footing not in its original setting but rather in the posh and
swanky New York City of the 1950’s.

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Uncle Vanya at The Rude Mechanicals

Amanda N. Gunther | TheatreBloom

Uncle Vanya, written by Anton Chekhov, is the story of a group of people embittered by loss, disappointment, disillusionment, and hardship, and the power of faith through adversity.  A retired professor, Alexandre (Bill Bodie), and his glamorous young wife Yelena (Erin Nealer) visit the rural estate that funds their city lifestyle.  The estate is run by Vanya, (Nathan Rosen) Alexandre’s deceased former wife’s brother,

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Timon of Athens at The Rude Mechanicals

How goes the world? A loaded question if ever there was one to be asked, especially in this day and age. But set yourself back from this day and age, set your dial of existence back to 1978 in order to prepare yourself to digest The Rude Mechanicals’ latest offering: Timon of Athens. Directed by Joshua Engel, this miscreant play of Williams Shakespeare’s is finding a new lens through which to be viewed in the hands of The Rude Mechanicals.

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Henry VIII at The Rude Mechanicals

“Men’s evils manners live in brass; their virtues we write in water.” And we shall now ascribe the virtues of The Rude Mechanicals production of Henry VIII in ink. Well, digital ink. Directed and Choreographed by Liana Olear, this ‘lost history’ (the most boring of the boring and banal of banal Shakespearean histories) is revitalized and given a new lease on life. Olear’s strategic placement of the historical recounting of the eighth Henry in the mid 1910’s lends itself to her dancer’s passion,

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The Life and Death of Richard II at The Rude Mechanicals

Discomfort guides this servant’s tongue, you see

When first to speak on the venue known as the DCAC

But fear not, playgoers, for I share with you

Good news of The Rude Mechanicals and their show of Richard II

Laboriously titled The Life and Death Of

They present to you from one floor above

A judiciously rendered version that moves quite free

Of this early and poetic tale of history

Directed by Michael F.

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