Oh the weather outside is frightful— truly, we just finished having 80º days in mid-November— but the fire is so delightful— and it is, it looks so realistic you might think those are actual manuscripts going up in smoke— and they’re finally open so you can cheer and claps— go to Spots, go to see Deathtrap. The nature of live theatre being what it is, the grand opening of this Ira Levin stage thriller under the superb direction of Stephen Foreman,
Deathtrap: A play of one set, two acts, five characters.
One Set: A writing den in a converted church. A typewriter. Walls decorated with posters from previous plays and various prop implements of persuasion and destruction.
Two Acts: Running an hour each with a 15-minute intermission.
Five Characters: The established writer. His wife. The new writer. The psychic neighbor. The lawyer.
Pardon my conceit as I continue the review by repeating this again with further variations,
You feel the feverish chill of something suspenseful about to happen. There is a prickle at the hairs on the back of your neck, a tingle that flickers up your spine, and the ever so sudden jolt of your entire body when you hear anything sounding remotely close to a gunshot. You’ve contracted a terminal case of Thrilleritus malignus! And your only hope for a cure is going to see Silver Spring Stage’s production of Ira Levin’s Deathtrap.
A feverish pandemic of Thrilleritis Malignus is sweeping through the Northern Virginia area as NextStop Theatre Company unloads Ira Levin’s Deathtrap onto their stage just in time for the tail-end of spooky season. Directed by Evan Hoffmann with eminence and experience, this comedic thriller delights audiences with laughs and screams as the play-within-a-play-within-a-play takes a chilling twist around the bend of darkness and deceit.
A lavish yet simultaneously foreboding set takes root in the play space of NextStop Theatre Company compliments of Scenic Designer JD Madsen.
Cinderella’s prince will wake up with soot on his face. Betrayal. Misery. Suspense. The unexpected and yet just desserts served with delicious vindication. An evening at the theatre never brought about such intrigue until The Vagabond Players dusted off a lesser-known Ira Levin work; Interlock. Not the edge-of-your-seat mystery thrillers the playwright often gets recognized for, this classic work simmers with sophistication under the skilled Direction of Roy Hammond. The third installment of the Vags 99th season,
There’s no place like home for the holidays. Everyman Theatre is bringing home five of their company members for a holiday performance like no other this December as they mount Ira Levin’s classic thriller Deathtrap on their stage for Christmas. Directed by founding Artistic Director Vincent M. Lancisi, a little suspense makes the perfect stocking stuffer this season. Equal parts comedy and suspense; the precarious balance between darkly humorous and spine-tingling is delivered exceptionally in this devilishly thrilling performance.