Just a single little finger can change the world.
9— Dayton, Ohio August 4, 2019
22— El Paso, Texas August 3, 2019
3— Gilroy, California July 28, 2019
34 people dead from just a single little finger.
Something just broke.
It’s the strap-line for Stephen Sondheim’s Assassins now
open and running at Signature Theatre in Shirlington, Virginia. And they’re not
wrong.
The weather has been bad since the beginning of time; it was horrible at the beginning of time. But the weather can get a whole lot worse when a wicked storm tears the lives of a Christian faith-based family asunder without warning. Baby Screams Miracle, a new work by Clara Barron, arrives to the Woolly Mammoth Theatre Company stage under the Direction of Artistic Director Howard Shalwitz and it crashes upon the boards much like the storm inside the play crashes into the five members of the family contained within its pages.
Oralene was dead: to begin with. This must be distinctly understood or nothing wonderful can come of the story I am going to relate. Well, jingling Jesus, there ought to be a law that every Christmas musical start out with a coffin in Silver Ridge, Tennessee! Christmas is a gift, it’s true, (it’s the season of presents for a reason, after all) and Signature Theatre is giving you the simplest, most entertaining, down-home musical gift that anyone could ask for at this festive time of year: the world premiere of Silver Belles.
If you want to know the truth you need to ask the right questions. Is there an evocative and sharply penned new work by Bathsheba Doran now appearing in the Max Theatre at Signature Theatre this spring? Yes. And it’s called The Mystery of Love & Sex. Directed by Stella Powell-Jones, this epigrammatic instance of entertainment tugs at the heartstrings when it comes to the ever-changing dynamic of relationships be they between friends,
Artists are the real philosophers of the world because they are the ones struggling to communicate the real human condition. In a powerful new evocative work commissioned for Ford’s Theatre, playwright Jessica Dickey explores the notion of protecting the space around the art in her new heart-heavy drama The Guard. Receiving its world premiere upon the stage under the Direction of Sharon Ott, this fascinating new work is not without its levity in its epic journey of exploration through emotions and the notions of art and what it means to exist as humans in a world dominated by untouchable art.