author: Erin Tarpley
“Love is about knowing the other person and allowing them to be the person they are”
With the holiday season upon us, tis the season to be merry, jolly, and joyous. And after a wonderful evening at The Strand watching their rendition of The Wickhams: Christmas at Pemberley, these are three adjectives that I found made even my Grinchy heart grow three sizes that very night!
How much can we ever know of anyone? We are all blind to ourselves, after all. But don’t be blind to Baltimore Center Stage. And know that they are currently producing a spectacular production of Pride & Prejudice (by Kate Hamill, adapted from Jane Austen’s novel.) It’s a wildly comedic reimagining of Regency life with colorful characters, twisted societal demands, and a bunch of other little quirky gems that will keep you snickering and enjoying yourself from start to finish.
Tis your ambition to be happy? Then come to Maryland Ensemble Theatre as they open up their 2024/2025 main stage season with Kate Hamill’s sprightly adaptation of Jane Austen’s Sense & Sensibility. Indeed, the season of MET’s happiness kicks off swimmingly with this exuberantly energetic movement-based comedy, Directed by Gené Fouché, this most agreeable and enjoyable afternoon of quirky comedy meets winsome romance is a delightfully balanced romp of pathos and silliness,
Folger Theatre would be monstrous glad if you’d take up a cottage— who doesn’t love a good cottage— in town and stay a spell to celebrate their 25th Anniversary season as it gets underway with a treasured classic novel adapted to the stage in this their production of Jane Austen’s Sense & Sensibility. Adapted by Kate Hamill and Directed by Eric Tucker, this charmingly spellbinding production whisks you away from the dreary troubles of the modern world and places you in a world of romance,
Country life is so exhausting. All of the never-ending balls and assemblies, the constant need to be dancing the night away into irretrievable states of fatigue; all of these tiresome chores which fall into the laps of brooding and grim single, terribly handsome young gentlemen, as they have their pick of beautiful, albeit dowerless, eligible young girls. It is truly the classic framework of one of the simplest Austenian storylines in romantic literature. Adapted to the stage by Christopher Baker,