As I
watched The Last Night of Ballyhoo, written by Alfred Uhry and directed
by Ilene Chalmers, at the Bowie Community Theatre, I had a thought somewhere during
Act I, Scene 4: “This play really is about something.” This is
not to say that I disliked the production before that; even before coming to
that revelation I would have acknowledged the stellar set and the faultless
performances from the cast.
Absolutely Dead, by
Michael Walker, is a rather difficult play for me to review. Whereas Ken
Kienas, director of the production currently running at the Bowie Community
Theatre, writes in his director’s note that he was floored upon reviewing the
play’s ending, I can’t say that my response was at all comparable — and, given
the overwhelming importance of the reveal to one’s impression of a
murder mystery, that had quite a bit to do with my overall opinion of the
production.
Did you know that it’s less than 50 days until Christmas? It is. It is… And did you know that The Bowie Community Theatre is putting on their very own holiday production of A Tuna Christmas? They are! They are, yes they are. Directed bey Ken Kienas, this redneck holiday classic has some wild stereotypes that’ll give you the jingles all over your funny bone and just in time for the coming holiday season!
Every family has one. Alice Sycamore is that one. She’s the normal one. She isn’t raising snakes and sneaking off to commencement ceremonies like grandpa; she isn’t creating and exploding fireworks in the basement like father; she isn’t writing sex-starved plays like mother; she isn’t training for the ballet while making candy like sister; Alice Sycamore is an ordinary run of the mill secretary type. Too bad for Alice the rest of her family is absolutely bonkers!
Nothing that’s formal! Nothing that’s normal! But something for everyone at Twin Beach Players— a comedy tonight! Old situations! New complications! Nothing portentous or polite! Because tragedy tomorrow— A Funny Thing Happened on the Way to the Forum tonight! Directed by Sid Curl, with Musical Direction by Katie Evans, this Sondheim classic will tickle your funny bone for a good two hours’ stage traffic over the course of the evening! There are servants running amuck,
The only place in the world where you can truly feel safe is with family. Especially when your family puts the ‘fun’ in dysfunctional as the Kurnitz family does in the classic Neil Simon, Lost in Yonkers, now appearing at Bowie’s playhouse in the woods to start off the 2016/2017 season for Prince George’s Little Theatre. Directed by Ken Kienas, this touching family dramedy tugs at the heartstrings as two teenage boys find themselves unexpected living with their extremely rigid and strictly traditional German grandmother out in Yonkers,
Mistakes can happen even with the most organized and ordinary of people. The Tomb family are a far cry from ordinary. Almost a modern day Addams Family with all of the doom and gloom that shrouds their secrets, the six Tomb children are marvelously mad and delight in the accidentally intentional misfortune of visitors who arrive at their happy haunt. The marvelously maddened transform into mysterious murderers or murder victims as the bodies pile up faster than Dora can find room for them in her flowerbeds.
People are always asking for things. Things. THINGS. THINGS! Don’t people realize that time equals money? For a good time and money well spent, people ought to consider an evening in North Beach for the Twin Beach Players’ production of The Miser, adapted by Freda Thomas from Moliere’s work. Directed by Jeff Larsen, this hilarious French farce is a delightful romp through Moliere’s garden of giggly goodies. Ripe with puns, sight-gags,