It was Mr. Green! In the billiards room! With the dagger! Cue elaborate explanation— hold— drop lights— “That’s not how it really happened. Because we know who actually did it!” REWIND! RESET! GO! It was Clue! At The Hippodrome! With a stage show! Murder, mystery, mayhem, a manor and— six!? SIX DEAD BODIES!? That’s a lot of bodies piling up on the floor! Or in the lounge! Or wherever they’re piling up!
King Arthur: “Have you heard of this Broadway?”
Sir Robin: “Yes Sire, and we don’t stand a chance there.”
Actually, Spamalot, the musical version of the 1975 film Monty Python and the Holy Grail was a bona-fide smash, first lighting up the 2004-05 Broadway season, and now expertly mounted at the Kennedy Center through May 21st, as a part of their ‘Broadway Center Stage’ programming. Honestly, this production of Spamalot is dizzying,
After their inaugural season struck gold with the latest reworking of Chess, a jubilant celebration of In the Heights, and a megawatt production of Pulitzer Prize winner How to Succeed in Business Without Really Trying, all of which rivaled or improved upon their latest Broadway incarnations, The Broadway Center Stage concert series at the Kennedy Center has set a high standard with their ambitious and impressive pop-up musicals.