In what ways have we cloaked, and even hidden from ourselves, the secret bargains we have made with our own devils? Don’t we all have our own junk? Isn’t it all just the bitch of living? Stillpointe Theatre understands all too well these concepts of self-discovery, these moralistic masquerades that stifle the expression youth as they blossom into adults. Preparing to round out their seventh season, Stillpointe Theatre presents Spring Awakening,
Sometimes what we long for is staring us right in the face. This could not be a truer example than in Leonard Bernstein’s Trouble In Tahiti, Directed by David Schweitzer, with Musical Direction by Benjamin Shaver, now playing at Stillpointe Theatre.
From the moment that you enter the venue, you are captivated by Scenic/Properties Designer Ryan Haase’s transformation of an upper church room into a 1950’s “supper club”. The covered tables,
We all want to touch the flames but not get burned. Stillpointe Theatre is bringing you flaming theatrical reality with their first main stage production of the 2016/2017 season and it isn’t even on their main stage! In the fully exposed in-your-face, at-your-feet, all-around-you production of Murder Ballad, Director Corey Hennessey and Co-Director Amanda J. Rife bring a visceral and emotional biting love-triangle straight to your eyes, ears, and hearts. Ensconced in the grungy rocker atmosphere upstairs at The Ottobar,
Unbelievable— adj. “so great or extreme as to be difficult to believe; extraordinary.” Stillpointe Theatre’s current production of The 25th Annual Putnam County Spelling Bee is insanely engaging, incredibly entertaining, and wildly wonderful; simply put it’s unbelievable. U-N-B-E-L-I-E-V-A-B-L-E. Directed by Amanda J. Rife, this brilliantly inviting musical takes a Stillpointe twist as the company unpacks this show— with Music & Lyrics by William Finn and Book by Rachel Sheinkin— into their brand new home on Charles Street in the Station North Arts District of Baltimore.