Articles Tagged With: Kai Harada

Nolan Almeida (left) as Peter Pan and Cody Garcia (center) as Captain Hook and Hawa Kamara (right) as Wendy and the cast of Peter Pan. ????Matthew Murphy

Peter Pan at The Hippodrome

econd star to the right and straight on til— viral video ballroom waltzing? Shut the fort door, since when does Peter Pan have Wendy being obsessed with going viral so that she can help pay for her medical school training because she wants to grow up and be a surgeon?

~*~*~*ANGRY TINKLING & CHIMING NOISES*~*~*~

What was that, Tinker Bell? In the newly refurbished national tour launch production that’s leaping into the air with lovely thoughts straight out of Baltimore’s Hippodrome Theatre?

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Sunset Boulevard at Broadway Center Stage at The Kennedy Center. ???? Jeremy Daniel

Sunset Boulevard at The Kennedy Center

Teaching the world new ways to dream. But what happens when the shimmering gold of dreams fades to a distant silver of memory. Age comes for us all in the end does it not? The tragically beautiful and strikingly dramatic score of Andrew Lloyd Webber’s Sunset Boulevard is sweeping the stage of the Eisenhower at The Kennedy Center this February as a part of the Broadway Center Stage series. With book & lyrics by Don Black &

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Next To Normal at The Kennedy Center

The
Kennedy Center’s Broadway Center Stage series drastically shifts gears but
continues to strike gold with their current production of Tom Kitt and Brian
Yorkey’s Tony Award and Pulitzer Prize winning musical Next to Normal. They have enjoyed great success for the last three
seasons mining a pleasing blend of golden age musicals like How to Succeed in Business Without Really
Trying
and The Music Man and
modern age classics like In the Heights and The Who’s Tommy,

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The Who’s Tommy at The Kennedy Center

After two solid seasons, it’s
established that the Kennedy Center’s Broadway Center Stage series is a major
component of the Baltimore/DC theatrical landscape. Acquiring first rate
Broadway and Hollywood talent in intensely-assembled one week runs of home-grown
musicals in “concert” form that frankly rival and even exceed many current
national touring productions has brought unique, exciting new possibilities for
musical theatre to our region. They have given us superior mountings of
classics like How to Succeed in Business Without Really Trying and The
Music Man.

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