Hello.
My name is Amanda Gunther.
You killed all 37.
Prepare to be reviewed.
Going out with a rather impressive bang— though by no means are they finished producing or existing— The Rude Mechanicals, now in full-time residence at The Greenbelt Arts Center, have attained one of their coveted company goals: Produce all 37 of Shakespeare’s plays. Cymbeline, Directed by Erin Nealer, completes the quest of all 37.
For first-time audience members, it is hard to predict just what you’re getting into with Off the Quill’s new staging of Violent Delights: A Shakespearean Brawl-esque Sideshow. An original production created first for the 2013 Capital Fringe Festival by company members Patrick Mullen, Leanne Dinverno, J. Peter Langsdorf, Katie Wanschura, as well as William Shakespeare, and directed by Mullen, the show bills itself as a blend of stage combat, dance, clowning,
In a world where entertainment reigns supreme, one theatre troupe dares to do the impossible and take on America’s biggest export (after weapons that is) – Movies! There is nothing new happening under the Hollywood sign and Off the Quill is ready to prove it to you in their latest show Completely Hollywood (Abridged) written by Reed Martin & Austin Tichenor, with additional material by Dominic Conti. Movie lovers will get a kick out of this comedic journey through Hollywood from Director Leanne Dinverno.
Josh Mooney’s Jack Kirby opens at his drawing board, carrying the weight of one of the most crucial careers in modern arts. From lights up, the entire story unfolds in his eyes. King Kirby tells the story behind the man who created some of the most popular figures in modern media: Captain America, The X-Men, The Avengers, and many more. They fill the summer box office and take in billions of dollars.
A lie is such a small betrayal. And a murder mystery can be such a grizzly arranged spectacle. Hold onto your hats and your sanity when it comes to Bowie Community Theatre’s latest offering to the stage— Lucille Fletcher’s Night Watch. A chilling suspense-driven drama, Directed by Randy Barth, this maddening thriller has all the hallmarks of Gaslight, all the decadence of Deathtrap and all the charm that such plays require to set the hairs at the back of your neck on edge.
What if Charles Dickens’ A Christmas Carol had a modern-day spinoff featuring Jacob Marley – only this time, Marley was a gumshoe? Okay, a “dead as a doornail” gumshoe? It might be called A Christmas Cactus, an Off The Quill production written by Eliot Byerrum and Directed by Leanne Dinverno at the Greenbelt Arts Center.
In this holiday comedy, it is not Ebenezer Scrooge, but Cactus O’Riley (Shannon Riley) who owns the business,
Everybody lies. Shakespeare was teaching it long before House. In a newly adapted physical translation of the Bard’s greatest tragedy, Off the Quill presents their interpretation of Hamlet: Believe None of Us. Fully formulating the quote of “oh what tangled webs we weave when we practice to deceive,” this new dance-based performance has all of the recognizable quotes and characters but with a few major plot altering elements that may leave you questioning what exactly happened to the crowned Prince of Denmark.