A Spoonful of Wine Helps The Poison Go Down: Arsenic & Old Lace at Bowie Community Theare
author: Chris Pence
Don’t drink the wine at Bowie Community Theatre! Joseph Kesselring’s 1939 classic black comedy Arsenic & Old Lace follows Mortimer Brewster, a theatre critic who comes home to 1930’s Brooklyn to announce to his beloved Aunts Abby and Martha that he’s engaged to Elaine Harper,
Everything’s a version of something else. Try lying for a change, it’s the currency of the world. With taglines like those, one hardly expects the intimate and fascinating dissection of human relationships that one gets with Patrick Marber’s Closer. Appearing now as a co-production between Cogent Theater Collective and Silver Spring Stage, Closer (a play published in 1997 and later transformed into a silver-screen feature of the same name) is produced by Diego Maramba and directed by David Dieudonne.
Arcadians swear their beat is divine! And they want you to get up and go! Go get tickets, that is, to the St. Mary’s College of Maryland’s production of Head Over Heels the musical, featuring the song-catalogue of The Go-Go’s. Based on The Arcadia by Sir Philip Sidney, conceived & original book by Jeff Whitty, with he aforementioned pop-rock band music providing the songs, this production is Directed by Matt J.
A Shayna
Maidel is a play I had never heard of, and that’s really a shame,
because it was a powerful experience that left me thinking, for days. I’ve seen favorite plays performed in an
underwhelming way, and also saw a play I didn’t anticipate liking performed by
such talented thespians that I was converted to a fan, but the real treat with
this particular production of A Shayna Maidel,
Are you ready to rock, theatergoers? Because it’s time to get down to life and live at Venus Theatre as it enters the halfway point of Season16 with Kathleen Warnock’s work Rock the Line. Directed by Founding Artistic Director Deborah Randall, this edgy exploration of sex, love, and rock and roll teaches audiences a valuable lesson or two through the lens of musical fanatic devotion. Like all productions that make their way to the Venus Stage,