Reputation is everything. You either have enough wealth to buy reputation or you have enough reputation to be wealthy. That’s the vicious cycle of existing. Or at least existing on the internet. In a world-premiere of Marshall Logan Gibbs’ new work, Monster (or #MeToo, Brute) the ‘safe space’ of the internet is deeply examined through an all-too relatable lens. Directed by Maxwell Wolf, this current production appears as one of two brand new works being produced by The Maryland Theatre Collective this 2024/2025 season and is deeply poignant,

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