author: Leonard Taube
Few singers can boast the title of one of the most influential vocalists of the 20th century, as well as one of the first country music artists to cross over into pop music. Of course I’m talking about the legendary Patsy Cline, an American singer from the state of Virginia who had several major hits during her 8-year recording career including two number-one hits on the Billboard Hot Country and Western Sides chart.Â
Expectations are the hobgoblins of the complacent mind. Because nonsense is the new sense when Lewis Black is your playwright. Kicking off summer with a comedic offering, Bowie Community Theatre is retro-tripping back to the summer of 1981 with Lewis Black’s One Slight Hitch. Directed by Jennifer L. Franklin, this show has all the potential hallmarks of a farce and might even make you giggle.
The players do well with this script but the show is not without issues and the majority of those issues come from playwright Lewis Black.
Wouldn’t you rather have 30 minutes of wonderful than a lifetime full of nothing special? Well, you’re in luck because Truvy’s beauty shop, where the gossip’s going non-stop in Chinquapin Parish, has more than just 30 minutes of wonderful. They have almost five times that tucked away for an evening’s escape in a heartfelt, inspirational, and truly touching coming of age tale that the masses knows well. Co-Directed by Kevin James Logan and Katie Sheldon,
Come on in and sit right down, and take a trip down memory lane, as Dundalk Community Theatre presents a spirited version of Always…Patsy Cline. Originally created and directed by Ted Swindley, Always…Patsy Cline features over 25 songs performed by Cline from 1957 to her untimely death at the age of 30 in 1963. Directed by Eric J. Potter, with Music Direction by Charlotte Evans, and Stage Management by Margie Lake,
Mistakes can happen even with the most organized and ordinary of people. The Tomb family are a far cry from ordinary. Almost a modern day Addams Family with all of the doom and gloom that shrouds their secrets, the six Tomb children are marvelously mad and delight in the accidentally intentional misfortune of visitors who arrive at their happy haunt. The marvelously maddened transform into mysterious murderers or murder victims as the bodies pile up faster than Dora can find room for them in her flowerbeds.
Boxes. Bags. Doors. Sardines! How the bloody hell can anyone keep it all straight over at Otstar Productions Ltd. with their current production of Nothing On? How about a spot of rehearsal? That’s exactly what you’ll get and then some when you come to the real show— Noises Off— with Silhouette Stages this March. Well, all that and a bag of chips, barrel of laughs, and a hysterically zany three-act evening of epic entertainment.
Growing up in the 80’s I had several heroes, one of whom was Dolly Parton. I saw every movie, had every album and knew everything I could about her; I was a fanboy before the term fanboy was used in normal conversation. So getting the opportunity to see one of my favorite movies turned into a musical was extremely exciting for me and overall after leaving the theatre I was not disappointed. Silhouette Stages’ production of 9 to 5: the musical,
The cold grey tendrils of a dim English dawn are unfurling across the Annapolis harbor. The thrilling era of 1890’s London has slipped across the docks and settled into the Annapolis Summer Garden Theatre to launch the first show of their 50th season of theatre under the stars. Instead of a night of traditional ASGT musical revelry, The Music Hall Royale has brought to the stage their latest work— the greatest injustice of Charles Dickens’ life— his unfinished novel The Mystery of Edwin Drood.