The system only works if the system comes first.
The system only works if— errør— :://cødΞ does not c-c-compute. There is a GLITCH in the system.
It’s just a glitch. Ignore it. Move on.
It’s just a— .dØt, after all.
The statistical possibility of one little— .dØt— becoming the downfall of the system— why that’s impossible. Isn’t it? Pointless Theatre Company astonishes and amazes with their newest production: .dØt:: a RotoPlastic Ballet.
Art is sacred. Art is pointless. Pointless is art. Art is n; the fope. Fuck it. DADA! Pointless is a theatre company in DC and they’re making— performing— doing— ooh, how about unabashedly obliterating the boundaries between theatre, dance, puppetry, movement, and other performance based art forms, throwing it all in a blender, hitting hurly-whirly and splattering it all over the Trinidad Theatre of the Logan Fringe Arts Space this spring? And they’re calling it Hugo Ball: A Dada Puppet Adventure!!/?1!!??
Ho! Ho! Holiday-mamma-freaking-ho! The Pointless Theatre is bringing their annual tradition, A Very Pointless Holiday Spectacular to the stage for 2015 and they’re going to sack it to you, Santa babies! It’s the North Pole’s 239th annual talent show and Mrs. Claus and the elves are ready to get down, boogie, and go to town on the one night a year that they get off— and holy holiday moly do they get off!
Ay! Ay! Ay! She’s the lady with the tutti-frutti hat on her head! Singing sensation, Brazilian beauty, Carmen Miranda has her whole story explained in Pointless Theatre’s world premiere production of Gimme a Band, Gimme a Banana! The Carmen Miranda Story. Directed by Roberta Alves and Matt Reckeweg, this show appears as part of the Women’s Voices Theater Festival and is an intriguing examination of a popularized figure told through interpretive movement and song.
Ladies and Gentlemen! Step Right up! Witness the marvelous morose, the wondrous strange, the nightmares that inspire ephemeral fantasticality! Pointless Theatre presents an honest theatrical masterpiece with their production of Doctor Caligari, a devised theatrical ensemble extravaganza that entrances the mind, stimulates the senses, and shakes the core of reality in a surreal and fascinating fashion. Directed by Matt Reckeweg, this homage to the 1920 German Expressionist film The Cabinet of Dr.
Now entering its 26th year as a holiday tradition in Washington DC, The Puppet Company proudly presents Pyotr Ilyich Tchaikovsky’s The Nutcracker in all its resplendent Christmas glory in a fashion that can only be seen upon the magical stage at Glen Echo Park. Originally taking the stage in 1988 with the Arlington Symphony, the production is gloriously remounted with Director and Puppetmaster Christopher Piper at the helm. Spearheading a team of performers including Joshua Aaron Rosenblum,