Articles Tagged With: Meghan Taylor

I Will Eat You Alive at Interrobang Productions ???? Kiirstn Pagan

I Will Eat You Alive at Interrobang Theatre

Reviews January 31, 2024 Angelica Peaco

As a plus sized person, I have spent many years wrestling with my self-confidence and sense of belonging in a world that condemns any body type that is not considered “normal”. Being a fat girl meant that I was different, an outcast, ugly and in certain spaces, unwelcome. I Will Eat You Alive, a new play written and directed by Katie Hileman, brilliantly tackles the societal, familial and personal pressures that fat women like me experience from early childhood through adulthood.

Incredibly Dead! The B-Horror Rock Opera! @ Baltimore Rock Opera Society

Reviews May 25, 2018 Amanda N. Gunther

Tonight is the eve of humanity’s reckoning! Because The Baltimore Rock Opera Society is absolutely going to raise some hell— quite literally— in what could arguably be the most fantastic sendup to B-grade horror films of yesteryore with their latest original creation: Incredibly Dead! The B-Horror Rock Opera. Co-Directed by Michael Ziccardi and Sarah Gretchen Doccolo, with Musical Direction by Paul Joyce, and Choreography by Caitlin Rife, this zany, whacky, so-bad-it’s-good comedic musical is all of their own creation and it’s a thoroughly hilarious encounter.

The Cradle Will Rock at Iron Crow Theatre

Reviews October 3, 2017 Amanda N. Gunther

It takes a lot of Joes to make a sound you can hear. Iron Crow Theatre and it’s almost 20 Joes are making sounds, but the question is— do you hear the people sing? Is it the song of angry men? We’re not marching through France, and this ain’t Russia. It’s Steeltown, USA (temporarily residing in Baltimore, of course) and it’s time to speak up and make your voices heard. The Cradle Will Rock kicks of the 2017/2018 “Season of Identity” for Iron Crow Theatre,

Bully at Interrobang Theatre Company

Reviews June 7, 2017 Amanda N. Gunther

What follows the “I am” will always come looking for you. “I am old.” Wrinkles will come looking for your face. “I am fit.” The exercises will stick to you like white on rice. “I am controversial.” The critic will have much to say in regards to your play. That last one follows soundly with Interrobang Theatre Company’s current production of Amina Henry’s Bully. An edgy 90-minute play that floats precariously around the subject of fitness,

Review: Rosencrantz and Guildenstern Are Dead at Stillpointe Theatre

Reviews June 19, 2016 Amanda N. Gunther

An audience knows what to expect and that is all they are prepared to believe in. Such a premise as this is where the initial notion of “suspending one’s disbelief” came from, and thus theatrical extemporanea, et. al and so forth. When playwright Tom Stoppard dared the audience to believe in his tertiary character-exploration of Hamlet, he had no idea that Stillpointe Theatre would be putting their hands all over Rosencrantz and Guildenstern Are Dead in only a way that this innovative,