One love! One heart! Let’s get together and feel alright! Everyone could stand to feel alright right about now. And what better way to do it than by coming out to see the MET Fun Company’s production of Bob Marley’s Three Little Birds? Directed and choregraphed by Ray Hatch, with Musical Direction by Valerie A. Higgs, this six-person ensemble on stage is jammin’! They’re jammin’ and they want you to come jammin’ too!
Amanda N. Gunther | TheatreBloom
A real family helps each other when they stumble, not kick
each other when they’ve fallen; a paraphrase of just one of the profound
insights found inside Andrea Moon’s El
Viaje de Beatriz or Beatrice’s
Journey, now appearing at the MET FUN Company as a part of their 2018-2019
season. Maryland Ensemble Theatre and its familial branches— like the FUN Company—
uplift this message with great consistency in their work.
Amanda N. Gunther | TheatreBloom
You may not understand every word, but if you listen deeply,
you will understand what they’re trying to see. This is a critical component to
the extraordinary and brilliant piece of children’s theatre being performed on
the Maryland Ensemble Theatre’s FUN Company stage this winter. El Viaje de Beatriz, written by Andrea
Moon, and Directed by Daniel Valentin-Morales, is a bilingual fairytale about
little Beatriz,
Old MacDonald had a farm— wait— no…that’s not quite right. Oh! I know! The MET Fun Company had a farm— E-I-E-I-O! And on this farm they had some cows! E-I-E-I-O! While there won’t be any song quite like that one featured in Click, Clack, Moo: Cows That Type at the MET Fun Company production, rest assured there will be plenty of singing and dancing all throughout the production, which is geared toward younger audiences.
Oedipus! TheatreBloom knows something you don’t know! And here in this exclusive interview with Co-Creators Thom Huenger and Sarah Shulman, we’re going to tell you anyway! We’re going to tell you all about how this electrifying rock opera musical came to exist on the stages of the Maryland Ensemble Theatre and what drove the Greek Tragedy to bleed its veins into the world of musical theatre.
Thank you Thom and Sarah for giving us your time to talk about this exciting project!