Turn your face toward Cockpit in Court…let your memory lead you…open up enter in (to the F. Scott Black Theatre inside the Robert & Eleanor Romadka College Center) you will find there…the meaning of what happiness is… and a new show…will begin. If it was mystical the first time, magical the second, it will certainly be memorable, magnificent— truly Jellicle— the third as Bambi Johnson (who has become synonymous with Andrew Lloyd Webber and T.S.
Different types who wear a day coat— pants with stripes and cutaway coat— perfect fits— or is it cats in spats? Man Mel Brooks is gonna come for me. What show is this again?
Hello, Wayne! Welcome back to the Jellicle Ball! Remind us who you are and what you’re doing here?
Wayne Ivusich: I’m still Wayne Ivusich. And I’m playing Bustopher Jones again— I like to call him Bustopher Version Two.
Could it be? Another— *gasp* CAT!? (Well you didn’t think we’d suddenly switched to Dogs: The Musical, did you?)
Thank you for giving us some of your time today! Could you tell us who you are and who you play?
Alyssa Bell: Sure! My name is Alyssa Bell and I play Cassandra.
Tell us a little bit about Cassandra?
Alyssa: Cassandra is an Egyptian cat.
I’ve been a reviewing critic for nearly 15 years. And there’s no irony lost on me that on the day my personal publication, TheatreBloom, turns 10 years old, Cats at Cockpit in Court will be closing its three-week run, concluding the main-stage 2024 season for that company. The “Local Limelight” was a series of interviews that was cooked up during the pandemic, when everyone was wondering if we’d ever get to “theatre” again (like it was a true verb.) And it’s designed to shine a spotlight on someone in the community who gets up to great things,
Jellicle Cats are dancing cats…Jellicle Cats are returning Cats…once a combo cat now…
Welcome back! And thank you for giving us some of your time! Tell us who you are, who you were before, and who you are once more? This is getting complicated!
Katelynn O’Connor: I’m Katelynn O’Connor, that is still the same. But last time I was a combination of Victoria and Jemima and this time I’m playing Exotica!
One of the most iconic parts of Cats is its music…certainly one of the things that people love most about it. So we’ll take you on a brief journey through the Heaviside Layer to a different type of cat…a magical, musical cat!
Thank you, Nathan, for joining us in this series! We know you’re the Musical Director for Cats. But tell us, why did you want to come out and be a part of this whole thing with Bambi?
I am glad you have a cat but I do not believe it so remarkable a cat as my cat…there never was such a Lilliecat…and its name is…
Tell us who you are and who you’re playing, and thank you, of course, for joining us!
Sara Ulrich: I’m Sara Ulrich and I’m playing Jellylorum.
Tell me a little bit about Jellylorum.
Sara: Jellylorum is like the Mama Bear of the kittens.
You’ve heard of several kinds of cats. And my opinion now is that— you should need no interpreter… to guess which fluffy ball of fur…is next!
Thank you for joining here at the Jellicle Ball! Or what will become the Jellicle Ball by the time folks read this interview and get their tickets to Cats! Why don’t you tell us who you are and who you are playing?
Shannon Lloyd-Ragan: I’m Shannon Lloyd-Ragan and I play Bill Bailey.
I go to the theatre, when my heart is lonely. I know I will hear what I’ve heard before. And my heart will be blessed with The Sound of Music… and I’ll review once more! Bel Air, Maryland may not exactly be the hills or the mountains, but Phoenix Festival Theater (currently across the street in the Amoss Center at Harford Technical High School) will bless your heart and your ears with Rogers &
“And nobody out there ever gets to define the life I’m meant to lead with this unruly heart of mine.” Because love is love is love is love. And you will fall in love with The Prom at Cockpit in Court. Not because it’s an amazing story that should be told and seen and heard and embraced. Not because it has an amazing cast chock-a-block with sensational talent all across the board or because its got astonishing scenery,
BAWDY-LICIOUS! Something Rotten Brings Down the House.
Cockpit In Court opens its summer season with the ribald musical, Something Rotten, by Karey Kirkpatrick and John O’Farrell with music and lyrics by Karey and Wayne Kirkpatrick, in the F. Scott Black Theater. The show runs Fridays, Saturdays, and Sundays till June 25th and from the response of the audience at the Sunday matinee I attended, I would suggest purchasing your tickets in advance.
Blue skies— smiling at me! Nothing but blue skies do I see! And ain’t it the truth, folks. Here Scottfield Theatre Company is trying to open their holiday production of Irving Berlin’s White Christmas and what does Havre de Grace, Maryland give ‘em? 71 ° weather with brilliant, bright blue skies! It’s like Pine Tree, Vermont, complete with no snow! Directed by Chuck Hamrick with Musical Direction by Nathan Scavilla and Choreography by Becky Titelman,
This a Bronx Tale and just like they all do, it starts right here on Belmont Avenue. Well, the mockup of Belmont Avenue by way of Dundalk Community Theatre. Making its area premiere, A Bronx Tale: The Musical (Book: Chazz Palminteri, Music: Alan Menken, Lyrics: Glenn Slater) is based on the play of the same name and has the musical atmosphere of Hairspray and Jersey Boys with some plot structures along similar lines.
Most shows feature a tried-and-true pattern of opening with a traditional “I Want” song, which details the leading character’s hopes and wishes for the rest of the story. Sweet Charity, currently playing on the main stage at Cockpit In Court at CCBC Essex, Directed by Cockpit veteran Eric Potter, is an entire show full of hopes and dreams and wants and desires, most of which are quickly dashed for the taxi dancers at the Fandango Ballroom,
Sure as the sun turns to moon— Phoenix Festival Theatre is putting on Disney’s Tarzan and it’s a world of wonder and whimsy, talent and heartfelt experiences! Directed and choreographed by Bambi Johnson with Musical Direction by Nathan Scavilla, this tremendous theatrical undertaking is swinging to wild and vivacious life at The Amoss Center in Bel Air for just three performances! A remarkably refreshing journey through all of your favorite numbers from the animated screen gem,
Sure as the day follows into the night, sure as the sky turns blue— this much I know, this much is true— Scottfield Theatre Company’s Something Rotten is the show for you! Because above all else— to thine own selves, they’re being true! It’s a mu-si-cal! That’s right— a mu-si-caaal. And it’s the polar opposite of its namesake! Directed by Chuck Hamrick with Musical Direction by Nathan Scavilla and Choreography by Beck Titelman,
“…truly a singular sensation…full of heart, full of feeling, full of beautiful sounds and amazing dance routines…”
Are you ready Havre de Grace? AYE-AYE, CAPTAIN! I can’t heeeaaar you! AYE-AYE CAPTAIN! Who lives in a pineapple under the sea? Appearing at Tidewater Players is he! If nautical nonsense be something you wish! Then get your tickets right now and have fun with the fish! At The SpongeBob Musical now appearing live, in-person on the Havre de Grace Opera House stage with Tidewater Players! Directed and Choreographed by Bambi Johnson with Musical Direction by Nathan Scavilla,
“My, my… how can I resist ya!”—Dundalk Community Theatre ends their superb season with a
vibrant and visually stunning presentation of Mamma Mia! “the smash hit musical featuring the songs of ABBA!”
With Direction by John Desmone, Music Direction by Nathan Scavilla, and
Choreography by Gary Dieter, this show is sure to leave you singing &
dancing your way out of the theatre!
Amanda N. Gunther | TheatreBloom Rachel Weir (left) as Tanya,
You better— tellin’ you, you better— tell your mama! Something’s gonna get her! You better— everybody better— be aware! Something’s gonna get ya! Look out. Look Out! LOOKOUT! It’s Little Shop of Horrors! At Purple Light! Purple Light Theatre Company! Don’t wait— dates are gonna pass you— right by— don’t let this show pass you— right by! It’s Little Shop of Horrors— it’s one-weekend-o-o-only-y-y! You won’t want to m-i-ii-s-s-s it!
Hallelujah for Sister Act at Cockpit In Court! CCBC Essex presents a family musical with sincerely praise-worthy voices and a lot of spirit in the F. Scott Black Mainstage Theatre. The stage musical of Sister Act is based on the Whoopi Goldberg movie of the same name, but while audiences loved hearing familiar Motown tunes used innovatively in the context of a cloister, the stage production got Alan Menken— you remember Alan Menken?
Prepare ye the way of the Lord as it paves its path up the aisles of the main stage in the Theatre Building of the Community College of Baltimore County Essex Campus with Cockpit in Court’s production of Godspell. Celebrating its 44th season, the Stephen Schwartz musical kicks off the summer for the community theatre and preaches a message that is poignant now more so than ever in today’s world where hatred seems to be common place and violence is overlooked as a part of the daily routine.
Astonishing! It’s astonishing how sometimes when you dream your dreams come true in extraordinary ways. And Charm City was dreaming of a musical that would awaken the soul for springtime. Dreams are coming true with Dundalk Community Theatre’s production of Little Women. A remarkably performed, sensationally sung, and overall impressively handled musical Directed and Choreographed by Tom Wyatt with Musical Direction by Nathan Scavilla, this riveting story, based on the novel by Louisa May Alcott,