“History is the domain of rich, white men, who as a breed, are allergic to change.” Who said it? Her name is: MARY ANNING! MARY ANNING! She knows what it is like when the world won’t acknowledge you. But the universe is impartial, the universe does not care. It’s the people that populate the universe that are not impartial, the people that care. So what do you do when the people won’t acknowledge you?
If the human eye was a digital camera it would have 576 mega pixels. 30% of businesses in the U.S.A. are owned by women. McDonald’s opens a new restaurant every 14.5 hours. Swedish wasn’t made the official language of Sweden until 2009. Approximately 300 couples get married in Las Vegas, Nevada every day. Forum Theatre is producing the area premier of Caryl Churchill’s Love and Information. Is it better to know things or not know things?
“We are going to have borders nice and strong. We are going to build a wall.” A direct quote from— at the time— president-elect Donald J. Trump. The full horror of what was to come wasn’t even an inkling in the eyes of the masses. In a stunning new evocative, jarring, emotionally blindsiding, and harrowing work making its debut as a part of the National New Play Network’s Rolling World Premiere series, Robert Schenkkan’s Building The Wall is sparking a visceral powder keg of conversation in the nation’s capital.
It is all too easy to make excuses for the violence of the oppressed. Humanity’s knee-jerk response to people who commit heinous atrocities is to paint them as monsters. But aren’t they just human beings beneath it all? In a powerfully gripping and evocative theatrical exploration, playwright Nicholas Wright presents a deeply harrowing psychological and emotional excavation into post-Apartheid South Africa with his work A Human Being Died That Night. Based on the book by Pumla Gobodo-Madikizela and Directed by Logan Vaughn,
There is something to be said for comforting fictions. While they may not be the most elucidating tales they provide a certain umbrage from the harshness of reality that accompanies terminal illness. In an evocative rolling world premiere presented in association with the National New Play Network, Forum Theatre closes out its 12th season with Steve Yockey’s Blackberry Winter. Directed by Michael Dove, this stunning 90-minute tale awash in profoundly polarizing emotions sparks a compelling conversation of perceived realities,