Which
Inquisitive
Theatre
Challenges
Humanity?
Not nearly as clever as some of the textual incarnations of the acronym of the show’s title— like “Why Is The Church Heretical?” or “Why Is This Continually Happening?” or “What Is This Cult Hollywood?” but I wanted to throw my broomstick in the cauldron so to speak.
Are you ready to sit in a theatre and see a play of hopes and fears? Stillpointe Theatre invites you to do exactly that. Examine the unexamined; explore the darkened recesses of the mind of the master of the macabre. They present to you the regional premiere of Nevermore, a 90-minute musical which swirls and swivels through the madness that is the mind of Edgar Allan Poe, Baltimore’s beloved poet. Directed by Ryan Haase,
In what ways have we cloaked, and even hidden from ourselves, the secret bargains we have made with our own devils? Don’t we all have our own junk? Isn’t it all just the bitch of living? Stillpointe Theatre understands all too well these concepts of self-discovery, these moralistic masquerades that stifle the expression youth as they blossom into adults. Preparing to round out their seventh season, Stillpointe Theatre presents Spring Awakening,
Nubia will never die! And Baltimore’s own ArtsCentric is making sure of this is a known fact in their production of Aida, with music by Elton John, Lyrics by Tim Rice, and book by Linda Woolverton, Robert Falls, and David Henry Hwang. Kevin S. McAllister, Cedric D. Lyles, and Shalyce N. Hemby skillfully band together to bring a first-rate rendition of this timeless love story.
Kevin S. McAllister does a masterful job with his direction of this production.
Sometimes what we long for is staring us right in the face. This could not be a truer example than in Leonard Bernstein’s Trouble In Tahiti, Directed by David Schweitzer, with Musical Direction by Benjamin Shaver, now playing at Stillpointe Theatre.
From the moment that you enter the venue, you are captivated by Scenic/Properties Designer Ryan Haase’s transformation of an upper church room into a 1950’s “supper club”. The covered tables,
Listen to the beat and you’ll hear what’s in their soul! Live from the center of your radio dial— just at the tippy-top end of Station North coming to you directly from The Motor House— ArtsCentric is bringing you the sensational smash hit musical Memphis. Directed by Kevin S. McAllister with Musical Direction by Cedric D. Lyles and Choreography by Torens Johnson, this stellar production is the music of your soul like you’ve never heard heart and soul and rock and roll and rhythm and blues before.
Ladies and Gentlemen, you are about to see a story of murder, greed, corruption, violence, exploitation, adultery, and treachery: all of those things that ArtsCentric holds near and dear to their hearts! Presenting for the first time an all African-American production of Kander and Ebb’s Chicago, ArtsCentric is raising the bar of expectation— lucky Lindy never flew so high! Directed by Kevin S. McAllister with Musical Direction by Cedric D. Lyles and Choreography by Shalyce N.
Cages or wings? Which do you prefer? Ask Stillpointe Theatre, it’s clear that they prefer to soar over the Baltimore Theatre scene with their dazlious wings, showcasing their astonishing talent in their summer musical production of Jonathan Larson’s Tick, Tick…BOOM! Directed by Grace Anastasiadis with Musical Direction by Stacey Antoine, this primer to Rent is delivered with precision, balance, and perfection to the eye, ear, and heart.
Tick.
Cowabunga dude! Surferiffic good times and tikitastic great sets are splashing into Stillpointe Theatre just in time for summer! This outrageously bodacious trippy campy comedy— Psycho Beach Party Directed by Courtney Proctor— is a way groovy wave of a summer roller coaster for all your entertainment needs! It’s time to get funky with Chicklet, Kanaka, and the whole gang down on the sandy beaches of Station North! Don’t miss this Big Kahuna of a summer hit!
For the next ten minutes— well times eight but hey— will you share your life with them? With Jamie and Cathy and their story? Can you handle that? They can. Stillpointe Theatre takes Jason Robert Brown’s The Last Five Years and breathes a curious new life into the production by running two casts in rotating rep over the course of the show’s four-weekend run. Featuring a male and female cast, as well as a female and female cast,
Everybody thinks and feels differently as the years go by, don’t they? What was once a well-suited lifestyle of grandeur couldn’t possibly still be such a palace of wonder and enchantment when it has all but crumbled around itself into a derelict and repulsive hovel of squalor and rotting pathos. Surely no one would choose to live in such conditions. But then again, who could ever bare to leave Grey Gardens? Kicking off 2017 with an evocative and harrowingly sensational musical drama,
No limits.
No boundaries.
No compromise.
Iron Crow Theatre is kicking off their historic 2016/2017 season, entitled “Dark Play”, with a raucous bang, setting the bar high with expectations. Andrew Lippa’s The Wild Party, directed by Sean Elias with Musical Direction by Ben Shaver, lives up to those standards and is a scandalously swinging evening of titillating entertainment which plunges the depths of the seasonal through-line of dark play right from the word go.
We all want to touch the flames but not get burned. Stillpointe Theatre is bringing you flaming theatrical reality with their first main stage production of the 2016/2017 season and it isn’t even on their main stage! In the fully exposed in-your-face, at-your-feet, all-around-you production of Murder Ballad, Director Corey Hennessey and Co-Director Amanda J. Rife bring a visceral and emotional biting love-triangle straight to your eyes, ears, and hearts. Ensconced in the grungy rocker atmosphere upstairs at The Ottobar,
Fuck.
It’s a verb. It’s a noun. It’s an expletive. But is it offensive? And is it that the word itself is offensive or is it the context in which it is used that offends? Will Stillpointe Theatre offend anyone if they perform the area premiere of Seth Freeman’s new work Verb (A Play on Words)? Only one way to find out. Directed by Ryan Haase, this evocative play on words begs the question of where do we— as individuals,
The Robert L. Drake Jr. Middle School would like to welcome everyone to this year’s Science Fair! Do to the unfortunate ant-colony incident, this year’s project display will be taking place in the outdoor multi-purpose gym-pool-cafetorium, graciously set up at Druid Hill and Patterson Park on alternating weekends. Miss Waters (Kay-Megan Washington) will be announcing this year’s participants and everything will be just dandy, what could possibly go wrong with entries from The Young Environmentalists,
An audience knows what to expect and that is all they are prepared to believe in. Such a premise as this is where the initial notion of “suspending one’s disbelief” came from, and thus theatrical extemporanea, et. al and so forth. When playwright Tom Stoppard dared the audience to believe in his tertiary character-exploration of Hamlet, he had no idea that Stillpointe Theatre would be putting their hands all over Rosencrantz and Guildenstern Are Dead in only a way that this innovative,
Station North is alive and thriving with its newest artistic residents, Stillpointe Theatre. After moving into 1825 N. Charles Street back in December, Stillpointe Theatre is off to a great start of bringing their unique and vibrant work to the Station North Arts District. On April 1, 2016 the company launched Under the Umbrella: A Series for the Senses. The artistic series, which debuted with an opening reception on April 1st, runs through May 20,
Unbelievable— adj. “so great or extreme as to be difficult to believe; extraordinary.” Stillpointe Theatre’s current production of The 25th Annual Putnam County Spelling Bee is insanely engaging, incredibly entertaining, and wildly wonderful; simply put it’s unbelievable. U-N-B-E-L-I-E-V-A-B-L-E. Directed by Amanda J. Rife, this brilliantly inviting musical takes a Stillpointe twist as the company unpacks this show— with Music & Lyrics by William Finn and Book by Rachel Sheinkin— into their brand new home on Charles Street in the Station North Arts District of Baltimore.
Hey, pal! Come here and shoot a president— or maybe just watch Stillpointe Theatre Initiative and Spotlight UB do it instead with their production of Assassins. With complex Music and Lyrics by Stephen Sondheim and Book by John Weidman, this edgy obscure musical is poignant and relevantly delivered for the current political climate and packs a powerful message to the audience. Co-Directed by Ryan Haase and Kimberly Lynne, the production sparkles with a twisted sense of patriotic pride amid a shimmering sea of talent.