What thing can put a man to death and bring him back to life
again? Why the cure for women’s hysteria, naturally, or better known as
electricity. Thank you, Mr. Edison, for the focal point of Sarah Ruhl’s play
with two titles, In The Next Room or The Vibrator Play. While electricity
does run as a strong alternating and direct current throughout the script,
there are so many more deeply layered,
“When someone in your social circle becomes so melancholic that they stop moving, it is your duty as a human being to go find them.” So proclaims Tilly, the lead character in Sarah Ruhl’s Melancholy Play: A Contemporary Farce, currently being produced by Constellation Theatre Company. Directed by Nick Martin, the play takes the audience on an abstract dive through sadness, happiness, and the social contract. Constellation’s production perfectly captures the spirit of melancholy,
Everyone dies; it is a fact of life. Fortune’s Child, a new work by Baltimore area playwright Mark Scharf has made its debut at the Baltimore Theatre Project this winter season of 2015. In a TheatreBloom exclusive interview, I’ve sat down with the playwright to discuss the work and what it is meant to tell the audiences who see it about living life.
Thank you for taking the time to sit down with the readers of TheatreBloom for this interview,