Articles Tagged With: Sean Elias

Today4U Tomorrow 4 Iron Crow Theatre: An Interview with Artistic Director Sean Elias on Landing Rent at The M&T Bank Exchange Performance Space

Interviews February 9, 2024 Amanda N. Gunther

In daylights, in sunsets, in midnight, in cups of coffee— in inches, in miles, in laughter, and strife!

The beautiful ephemeral nature of theatre is that it lingers on in our hearts long after the last curtain drops. And rarely do audiences get such an extraordinary chance to see a sold-out performance, which was so popular, it had to be extended. It had to be extended half-way across town to a brand new space!

Rent at Iron Crow Theatre

Reviews January 25, 2024 Leonard Taube

By now most of us have heard of the musical RENT and may have even seen a production (or more), and/or possibly even caught the movie version of Jonathan Larson’s brilliant masterpiece which chronicles the lives of several struggling young artists/activists/musicians in New York set against the backdrop of the AIDS epidemic. With roots loosely in the 1896 opera La Boheme, Larson’s tale is set in the then-thriving Alphabet City in Lower Manhattan’s East Village in New York.

Blown Away: An Interview with Iron Crow Theatre’s Natka Bianchini on Hurricane Diane

Interviews January 16, 2023 Amanda N. Gunther

Gods don’t die; they just change form. And what if one of the most revered Gods of all time— especially to those in the theatre community— were to reappear in a different form, come down to earth and hope to bring about a change of days? Then you sound like you might be prepared for Iron Crow Theatre’s production of Madeleine George’s Hurricane Diane. And if you’d like to be more prepared,

Head Over Heels at Iron Crow Theatre

Reviews December 10, 2022 Leonard Taube

Listen up folks! Have you got “the beat”? No? Well then you better get your tickets and pay a visit to The Baltimore Theatre Project in Baltimore where resident company Iron Crow Theatre is putting on Head Over Heels, a jukebox musical comedy based on the songs of the 1980’s female rock bad The Go-Go’s. But before we talk about the show, we must talk about both the company and the venue,

Woman On Top: Interviewing Director Ann Turiano about Robert O’Hara’s Mankind at Iron Crow Theatre

Interviews September 14, 2022 Amanda N. Gunther

Kids from the 90’s and the early 00’s might remember that one artist— Vitamin C? Mostly because she had that one song…who knows what it was actually called… but it was frequently referred to as “The Graduation Song.” And everyone knew it. What they likely didn’t know was that Vitamin C had this whole album and buried somewhere in the middle— track seven to be exact— was this song called “Girls Against Boys.” It was this futuristic song all about if women ruled the world and how different things would be,

The Cradle Will Rock at Iron Crow Theatre

Reviews October 3, 2017 Amanda N. Gunther

It takes a lot of Joes to make a sound you can hear. Iron Crow Theatre and it’s almost 20 Joes are making sounds, but the question is— do you hear the people sing? Is it the song of angry men? We’re not marching through France, and this ain’t Russia. It’s Steeltown, USA (temporarily residing in Baltimore, of course) and it’s time to speak up and make your voices heard. The Cradle Will Rock kicks of the 2017/2018 “Season of Identity” for Iron Crow Theatre,

Review: The Zero Hour at Iron Crow Theatre

Reviews December 4, 2016 Jeffrey Gangwisch

The Zero Hour by Madeleine George, presented by Iron Crow Theatre at the Baltimore Theatre Project will run for only for more shows, all this weekend. Go grab your tickets before you continue reading; you won’t want to miss it. The play is set in a contemporary New York, following an established lesbian relationship. The scenes feel more like vignettes in a way that feels jarring at first but quickly settle into a digestible pattern.

Review: Rocky Horror Show at Iron Crow Theatre

Reviews October 29, 2016 Amanda N. Gunther

Are you ready to shiver with antici—

—PATION?

Stamping their hallmark all over The Rocky Horror Show, as Baltimore’s queer theatre, Iron Crow Theatre is starting their very own annual tradition in this historic season of new discoveries. Taking Richard O’Brien’s cult-classic musical to the stage is the Christmas Carol of Halloween this time of year, but what’s making ITC’s production stand-out from others popping up in the area or even in your living room view the television screen?

Review: The Wild Party at Iron Crow Theatre

Reviews October 1, 2016 Amanda N. Gunther 2 Comments

No limits.

No boundaries.

No compromise.

Iron Crow Theatre is kicking off their historic 2016/2017 season, entitled “Dark Play”, with a raucous bang, setting the bar high with expectations. Andrew Lippa’s The Wild Party, directed by Sean Elias with Musical Direction by Ben Shaver, lives up to those standards and is a scandalously swinging evening of titillating entertainment which plunges the depths of the seasonal through-line of dark play right from the word go.

Hello, Baltimore, Iron Crow Theatre Wants to Play a Game: An Interview with Artistic Director Sean Elias on the new season of Dark Play

Interviews March 20, 2016 Amanda N. Gunther

Kicking off things with a bang after a season-long hiatus, Iron Crow Theatre is back with its most ambitious season ever. Under new management, establishing a new identity, and toting a whole bunch of new ideas, the company is rebooting their version of live theatre in Baltimore. Transitioning from the well-known moniker of “Baltimore’s Gay Theatre” into the broader umbrella of “Queer Theatre”, Artistic Director Sean Elias was heard making the statement that “…Queer…as defined to be renegade and unorthodox would be the mark and focus of rebranding the theatre…” at the season launch party held on Saturday February 6th earlier this year.

Much Ado About Nothing at Baltimore Shakespeare Factory

Reviews July 19, 2014 Amanda N. Gunther

Tis indeed summer and that to the world of the Bard means Much Ado About Nothing. And the Baltimore Shakespeare Factory is no exception to that rule as they mount their first in-the-round production this summer. Taking the well recognized comic back to its simplistic basics, the BSF strips away the scenery and all the other convolutions that can often clog-up Shakespeare’s wittiest comedy and present it in its original essence.