Articles Tagged With: Sean Eustis

Aparna Sri (left) as Lady Macbeth and Jaki Demarest (right) as Macbeth ???? Constantia Rioux

Macbeth at The Rude Mechanicals

“Such welcome and unwelcome things at once ‘tis hard to reconcile.” Macduff, ActIVsc.iii

I spent hours trying to find the way I felt about the current Rude Mechanical’s production of Shakespeare’s Macbeth only to have Billy Bard having already wrapped it up for me more than halfway through the show. This particular production is a balancing act of strong performances, questionable conceptualizations, impressive technological inclusions, mismatched aesthetics, and a barrage of death,

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Romeo & Juliet at The Bard’s Wagon Players

Ay, me! What’s in a name? Would a show by any other name still be so tragic? Probably. The Bard’s Wagon Players have surfaced for their annual summertime “Shakespeare in the Park” production! And this year— the sizzling summer of 2022— it’s none other than the infamous tragedy, Romeo & Juliet. Directed by Nathan Rosen, Produced by Bob Frank, and Stage Managed by Liana Olear, this outdoor offering has two different locations— Hannah More Park in Reisterstown and Catonsville Community Park in Catonsville— over the course of two different weekends,

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Cymbeline at The Rude Mechanicals

Hello.

My name is Amanda Gunther.

You killed all 37.

Prepare to be reviewed.

Going out with a rather impressive bang— though by no means are they finished producing or existing— The Rude Mechanicals, now in full-time residence at The Greenbelt Arts Center, have attained one of their coveted company goals: Produce all 37 of Shakespeare’s plays. Cymbeline, Directed by Erin Nealer, completes the quest of all 37.

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Scharf’s Shorts at Spotlighters Theatre

Friday night, October 22, 2021, was a very big night for a small but important theatre, one of a select few that are the very soul of Baltimore theatre history. After nineteen months of darkness thrust upon them due to Covid-19 lockdowns and mandates, The Audrey Herman Spotlighters Theatre, that diminutive little workhorse in the step down basement on St. Paul Street, opened again with a light fanfare and a comfortable crowd of faithful patrons to kick off their 59th Season.

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King Kirby at Off The Quill

Josh Mooney’s Jack Kirby opens at his drawing board, carrying the weight of one of the most crucial careers in modern arts. From lights up, the entire story unfolds in his eyes. King Kirby tells the story behind the man who created some of the most popular figures in modern media: Captain America, The X-Men, The Avengers, and many more. They fill the summer box office and take in billions of dollars.

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Review: Henry V at The Rude Mechanicals

Suppose within the girdles of the Greenbelt Arts Center’s walls are now confined two mighty forces— The Rude Mechanicals: a community theatre troupe that delivers judiciously trimmed and readily accessible Shakespearean plays— and Henry V: Shakespeare’s middle Henry history play. Directed by Rebecca Speas, this muse of fire finds its place among the Bard’s canon in true Rude Mechanicals style and delivers swiftly the plot, the point, and the perfectly pared-down rendition of what is otherwise a lengthy history lesson in the trajectory arc of Prince Hal to King Harry.

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Review: God, The One-Man Show at Greenbelt Arts Center

What if God was one of us? Or at least close enough to talk to us and tell us what it’s like to be Him? What existed before The Beginning? God supposedly created the universe, but who created God? These are concepts former Ringling Brothers and Barnum & Bailey Circus clown Rich Potter explores in the Greenbelt Arts Center production of God, The One-Man Show.

In this fast-paced,

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