People everywhere! A sense of expectation hanging in the air! Giving out a spark! This theatre’s glowing and they’re shining in the dark— it’s Mamma Mia! and it has landed at Beth Tfiloh Community Theatre for three performances only this summer! Directed by Diane M. Smith, with Musical Direction by Charlotte Evans, and Choreography by Rachel Miller, this ABBA-sensation splashy Broadway hit is not your grandmother’s Mamma Mia! With a more realistic,
Come on down— don’t be strangers in their duck-yard of free-rangers! That’s right, folks! Children’s Playhouse of Maryland is welcoming you back to the theatre— live and in person! And they’re welcoming you back with their great big honkin’ production of Honk Jr.! Directed by Liz Boyer Hunnicutt, with Musical Direction by Charlotte Evans, and Choreography Emily Davis, this fun-loving barnyard musical teaches kids that it’s absolutely o-a-kay to be different and just how boring life would be if we all looked the same.
When I grow up… I will be smart enough to know that the real
cool place to go is Children’s Playhouse of Maryland to see all these awesome
kids before they grow up! And now’s your chance to change their story— by
coming to support some of Baltimore’s most talented young performers in their current
full-length production of Matilda, the Roald Dahl story turned stage
musical opening the 2019/2020 theatre season for CPM.
And The World will
know! And The Sun will too! ‘Bout
these Newsies and the awesome job they
do! The things they do today will be tomorrow’s news! And you heard it here
first— right in black in white— front page ABOVE the fold! That’s right— read
all about it! Right here! Children’s Playhouse of Maryland does Newsies and makes Disney proud with all
of their energy,
Life! Pain! Love! Grief! Hope! Faith! You! THAT is why they
tell the story! What story, you ask? Once
On This Island Jr.! Who’s telling it, you ask? Children’s Playhouse of
Maryland! Their incredibly talented cast of young performers presents a
whimsical tale of two worlds that were never meant to meet, joined together by
the island they share. Directed by Liz Boyer Hunnicutt, with musical Direction
by Charlotte Evans,
Oh, God! I Hate Shakespeare! That’s right! I said it! I do! I really hate Shakespeare! I just don’t get it! How a mediocre actor from a measly little town is suddenly the brightest jewel in England’s royal crown! Oh, God, I HATE SHAKESPEARE! His plays are wordy— ooh. Wait. Maybe I shouldn’t sing all about it. Something is rotten in the state of— Essex!? Actually that’s sort of funny (Essex is in Shakespeare somewhere…isn’t it?) No,
At words poetic, they’re not pathetic; they’re always at their best!
They’re getting those songs up off their chest
And they’ve got lots of things to express— The Children’s Playhouse of Maryland that is with their fall opener of Cole Porter’s Anything Goes! They’re a stellar show, they’re a must see-n-go, they’re the farthest thing from a flop! Yes, baby, they’re not the bottom— they’re the top! Directed by Liz Boyer Hunnicutt with Musical Direction by Charlotte Evans and Choreography by Amanda Poxon,
You can’t stop an avalanche as it races down the hill! And CMP is stopping their season here, with a show that’s such a thrill! And you can try to stop their dancing feet, but they just cannot stand still! Cause the world keeps spinning round and round and their hearts are keeping time to the speed of sound, they were lost ‘til the heard the heard the drums (go Lisa Wood, go, go,
With all of the shows round the town running loose,
Who’d ever have guessed there’d be one about Seuss?
Oh the things you must think when you this wild musical
Which one, you ask? Why the musical called Seussical!
And not just Seussical, it’s Seussical Jr. you know
Minus one butter-battle, it’s still a really great show!
Of all the days in all the year that I’m familiar with— there’s several very important ones leading up to— December the 25th! Correct! And those important days are any days between now and December 17, 2017 wherein The Children’s Playhouse of Maryland has a performance of their holiday musical, Scrooge. Directed by Liz Boyer Hunnicutt with Musical Direction by Charlotte Evans and Choreography by Amanda Poxon, this classic and musical spin on Charles Dickens’ A Christmas Carol will put you in the holiday spirit for certain with all of its spry and spirited youngsters skipping and spinning about!
Moses supposes that of all of the showses, that this one is roses, so Moses supposes. But who needs Moses and his supposes when the Children’s Playhouse of Maryland has got Singin’ in the Rain Jr. Directed by Liz Boyer Hunnicutt and Musically Directed by Charlotte Evans? It’s a glorious production! You’ll be happy again to be back with CMP for the 2017/2018 season, this production being first of this season, and you’ll love every minute of this timeless Hollywood style movie musical stage show.
So you’ve heard of Pippin? Have you heard of Beth Tfiloh Community Theatre? Cast all previous conceptions aside and let Beth Tfiloh Community Theatre do their thing because they’ve got magic to do! Oh, it’s time to start living! Time to take in this performance that they’re giving! Time to take time to go see Pippin! And you’ll love it all— in just no time at all. Directed by Diane M.
Madness, thy name is Brewster! Me thinks the aunties doth protest too much! Oh— wait a minute— the season of Shakespeare and all’s well that goes with that has concluded. Let’s try this again. Madness runs in the Brewster family; it practically gallops, though it isn’t quite the truth either. Madness doesn’t run through the Brewster family, it meanders slowly taking its time to get intimately acquainted with each and every member! And you’ll find out just how intimately insane the Brewster clan is but only if you venture out to Cockpit In Court for the first mainstage show of their 2017 season!
When you’re a CPM Kid— you’re the top cat in town! You’re the gold metal kid, with the heavyweight crown! When you’re a CPM Kid— you’re the swingin’est thing! Little boy, you’re a man! Little man, you’re a king! You’re never alone, you’re never disconnected! You’re home with your own, when you’re company’s expected— you’re well protected! Then you are set, with a capital ‘C’, which you’ll never forget til they cart you away,
Nants ingonyama bagithi Baba! Sithi uhm ingonyama. You may not recognize it in print, but when you hear it? You know it. And the English translation? Here comes a lion! Oh, yes, it’s a lion! And oh yes— here comes The Lion King Jr. to The Children’s Playhouse of Maryland this spring! Breaking onto the stage for a sold-out run, CPM delivers the stellar children’s community theatre area premiere of one of Disney’s finest musical stage adaptations.
The Children’s Playhouse of Maryland is putting some cheery folderol on ev’ry wall and ev’ry nook, and they’ve tinsel’d up ev’ry corner, ‘til it’s Christmas ev’ry where you look! That’s right— they’re having a sparkly, jolly, twinkly, jingly production of Elf Jr. The Musical! Based on the major motion picture, new line cinema film written by David Berenbaum, this razzle-dazzle-ringle-lingle-shiny-showy-cheery-kringle-holly-jolly-very-merry-sparkly-jolly-twinkly-jingly show is rearing up and ready to go just in time for Christmas!
Crazy is underrated. Normal is an illusion. What’s normal for the spider is a calamity for the fly, and what’s crazy for normal folk is just the basic happenings of everyday life for the crazies, like the gloom and doom inside the mansion in central park. Closing out the 2015/2016 season, The Children’s Playhouse of Maryland delivers a creepy and kooky performance, with all of the iconic Charles Addams’ characters alive in their shades of gray on the lecture hall stage in The Addams Family musical.
Come with me to see something strange unfold and hear the weirdest tale that’s ever been told. But children, be wary if you’re faint of heart, for what’s happening on stage is more than just art! The Children’s Playhouse of Maryland is undertaking a marvelous masterpiece, an enormously fruity and fantastical story— James and the Giant Peach! What a musical! Directed by Liz Boyer Hunnicutt with Musical Direction by R. Christopher Rose,
Just a spoonful of sugar is all it takes! And the Children’s Playhouse of Maryland doesn’t just have a spoons— they’ve got the whole bloomin’ bottle of fantastical holiday magic all shaken up and ready to explode all over their audience with their production of Mary Poppins. It’s superb! It’s stupendous! Why, it’s— Supercalifragilisticexpialidocious! Directed by Liz Boyer Hunnicutt with Musical Direction by Sherry Benedek, this marvelous musical features the finest young musical talent this side of Baltimore taking on the Herculean task of a Disney musical.
Growing up in the 80’s I had several heroes, one of whom was Dolly Parton. I saw every movie, had every album and knew everything I could about her; I was a fanboy before the term fanboy was used in normal conversation. So getting the opportunity to see one of my favorite movies turned into a musical was extremely exciting for me and overall after leaving the theatre I was not disappointed. Silhouette Stages’ production of 9 to 5: the musical,
Red! The blood of angry men! Black! The Dark of ages past! Red! A world about to dawn! Black! The night that ends at last! Night has ended and the world is dawning at the Children’s Playhouse of Maryland. Painted in the bold barricade colors of red and black, and just a season behind the sensational trend of producing the internationally acclaimed musical, CMP brings the iconic production of Les Miserables to the stage for Baltimore to enjoy.
A genuine princess is exceedingly rare. A genuine fairytale is exceptionally brilliant. Having both together on one stage for a musical is nothing short of a miracle. The Saint Gabriel Miracle Players have found such a miracle with the tremendously talented cast and design team of their current production of Once Upon a Mattress. A rare treat to have such a silly story told with such stellar vocal quality; the music and lyrics of Mary Rodgers and Marshall Barer come to whimsical fruition against Jay Thompson and Dean Fuller’s book— there’s a happily ever after waiting for theatergoers who enjoy sparkling singers and gorgeous costumes.