“That when I come back to them I may be fonder and prouder than ever of my little women”
Ever since its first publication in 1868, Louisa May Alcott’s Little Women has captured the hearts of millions of readers all over the world. But considering at its face value the story of Little Women seems to be a mere fictional story focused on the 19th century domestic lives of four young American women living in genteel poverty,
Curse, comfort, conjure; three words that Director Lee Conderacci uses in her “feminist practice and in her theatre art.” (words directly from Conderacci.) This time her artistic undertaking is Kaela Mei-Shing Garvin’s High School Coven, at The Strand Theater. Three words that individually bring forth a myriad of thoughts, ideas, and emotions. Three words that together allow us to see the world through the eyes of Conderacci, even for a brief two hours;
A Shayna
Maidel is a play I had never heard of, and that’s really a shame,
because it was a powerful experience that left me thinking, for days. I’ve seen favorite plays performed in an
underwhelming way, and also saw a play I didn’t anticipate liking performed by
such talented thespians that I was converted to a fan, but the real treat with
this particular production of A Shayna Maidel,
A change— a change— will do you good! A change will do you good! Unless of course you’re Betty and petrified of change. In the second mainstage production of the 2016/2017 at Strand Theater Company, now fully residing in Hamilton on Baltimore’s east side, Exit Pluto is ready to shake up the world of Betty and her bakery! In a TheatreBloom exclusive interview, we sit down with the creative team— including the director,
The Women’s Voices Theater Festival has surpassed the boundaries of the nation’s capital and meandered over to Baltimore. A city thriving with theatre, it’s an honored opportunity to take part in the festival that has been occurring throughout the 2015 calendar season. In a TheatreBloom exclusive interview, we sit down with playwright Susan McCully to discuss her work Kerrmoor, a Co-Production with Baltimore’s Strand Theatre and Interrobang Theatre Company. Susan McCully is a professor at UMBC where she teaches playwriting and dramatic literature.