Puffs at Silhouette Stages: Revenge of the Nerds,” Potter Style
Have you ever wondered what it was like to be a side character in a story? To not be the hero, but just another onlooker? Matt Cox’s Puffs at Silhouette Stages examines this idea in hilarious fashion as we delve into the world of a Certain School of Magic and Magic. A riotous romp through mediocrity,
It’s the best day ever! The best daaaay eveeer— but only if you’ve got your tickets to see Silhouette Stages’ production of The SpongeBob Musical! Campy and wholesome, this quirky little diamond-in-the-kelp musical comedy is suitable for all ages and is bubbling over with talent, enthusiasm, and a great deal of F-U-N to be had by all! Co-Directed by Debbie Mobley and Robyn Yakaitis, with Musical Direction by Mari Hill, and Choreography by Tori Worth,
Do you suffer from ADHD and Dyslexia? Does trouble follow you everywhere you go? Do seemingly random people in your day-to-day life that nobody else can remember being there spontaneously turn into scary monsters trying to kill you? You might be a Demigod! A word of caution: when attempting to self-diagnose Demigodism, move at the speed of a mortal: very, very slowly. Or maybe you’re just thrillified that Silhouette Stages is producing The Lighting Thief: The Percy Jackson Musical.
This is the moment! This is the time! When their momentum
and their moment is in rhyme. Free Range Humans is bringing you a deliciously
devious rendering of Jekyll & Hyde, unlike you’ve ever seen, felt,
heard, or experienced it before. Remarkably transcendent into the emotional
core of Leslie Bricusse (book & lyrics) and Frank Wildhorn (music)’s staged
conceptualization (with Steve Cuden) based on the gothic novella— Strange
Case of Dr.
The sun on Columbia is summery warm. It’s shining on a
theatre gem. So gather together and see their show. Tomorrow belongs— to them.
Silhouette Stages mounts the production of the season— Kander & Ebb’s Cabaret as Directed by Stephen Foreman,
with Musical Direction by Michael Tan and Choreography by Aime Bell. Truly not
your momma’s Cabaret, this heady and
intoxicating production doesn’t just showcase the darkness burbling readily
beneath the surface of the iconic Kander &
Things don’t have to be true to talk about them. In fact, that’s why some people like to talk— gossip and fake news, and really anything they can jabber about, just to make noise. People make noise— with their mouths, with their words— because they can’t cope with silence. They can’t deal with quiet. But what if all you want is quiet? What if all you need is silent? In the harrowing Tony Award &
Close your eyes and try to conceive, the most outrageous story to ever be believed! If you can just believe, it’s beautifully bizarre, a story about a boy— and a giant peach, and that’s just the way things are! Right before your eyes— James and The Giant Peach is now appearing on stage at The Heritage Players as their summer engagement. Directed by Elizabeth Tane Kanner with Musical Direction by Emily Taylor &
In a smoky club they let the record spin…only it isn’t a smoky club, but rather an enchanting distillery…and they aren’t spinning a record so much as a four-person rock band, stirring up sound from the back corner of the unique space…From New York to Berlin— to Frederick, MD— comes stories of true love gone awry. Making its debut production, Free Range Humans, a new theatre company based in Frederick, presents Murder Ballad,
Who among us is not guilty of embellishing a story here and there? Whether exaggerating about our feats of derring-do, or adding a few inches to that fish we caught when we were a child, stories have a way of taking on a life of their own when we tell them. In this case, there is “Magic in the Man” through the larger-than life stories Edward Bloom tells his young son. But all children must grow up,
Once upon a time at a theatre just outside Baltimore a director had a wish, to bring to life a production featuring some of the most beloved fairytale characters of our childhoods. His tale is one full of magic, woe, and cows. Does he succeed or is this just a moment better left in the woods? Well you will just have to read on as I share with you my journey at The Heritage Player’s performance of Stephen Sondheim and James Lapines’ Into the Woods Directed by TJ Lukacsina.
Love! They’re doing this for love! And love will see them through— the incredibly talented cast of Legally Blonde at Silhouette Stages! Yes, love! They’ve got a lot of love— and with love on their side they can’t lose! Now appearing in the Slayton House Theater of Wilde Lake Village Center, Silhouette Stages’ final production of the 2016/2017 season— Legally Blonde is here to show you a thing or to about pop-modern movie-musicals!
Ready or not, kids, the Bee is back in town—and this is one laugh riot you do not want to miss! Directed by Ryan Geiger, with Musical Direction by TJ Lukacsina & Robin Trenner, this production is a journey back to our awkward adolescence with quite a few stand-out moments and a solid cast of dynamic characters. Geiger leads the group to victory with his attention to scene-work and Lukacsina aides in finding a beautiful harmony across this vocally awesome cast.
Catonsville’s Heritage Players have created a joyful jazz-age romp in their production of Thoroughly Modern Millie now appearing through April 24th at the Rice Auditorium on the campus of Spring Grove Hospital Center. Directed by TJ Lukacsina with Musical Direction by Carolyn Freel, this musical will bring you some feel good music to tap your toes to all throughout the evening. Based on the 1967 film, Millie is a delightful song-and-dance melodrama by Dick Morris and Richard Scanlan which unapologetically demolishes the boundaries of political correctness in its depiction of Chinese white-slavery.
A genuine princess is exceedingly rare. A genuine fairytale is exceptionally brilliant. Having both together on one stage for a musical is nothing short of a miracle. The Saint Gabriel Miracle Players have found such a miracle with the tremendously talented cast and design team of their current production of Once Upon a Mattress. A rare treat to have such a silly story told with such stellar vocal quality; the music and lyrics of Mary Rodgers and Marshall Barer come to whimsical fruition against Jay Thompson and Dean Fuller’s book— there’s a happily ever after waiting for theatergoers who enjoy sparkling singers and gorgeous costumes.