Articles Tagged With: Trevor Wilhelms

A Good Man is Hard to Find at Feral Woman

Reviews August 11, 2017 Amanda N. Gunther

“Ain’t a body yet that gave the undertaker a tip.” Flannery O’Connor has a deliciously twisted way with words. Why head to the box office and pay exorbitant amounts of money for a deceptively dark and twisted thrilling experience when you can slip on down to Station North in Charm City, slide into The Mercury Theatre and witness the inaugural production of a new company— Feral Woman— doing exactly the same thing without the highway robbery box office prices and the action just millimeters from your face?

Review: Stupid Ghost at Annex Theater

Reviews September 23, 2016 Amanda N. Gunther

The broad specter-spectrum when it comes to ghosts is limited to the dichotomy of baddies and goodies. There are the spook-you-till-you-scream, chain-rattling, malevolent haunts that will get you. And there are the friendly kind— the happy haunts who materialize for a midnight spree with the vocalizing and harmonizing and socializing. But what if neither of those categories were true? What if ghosts just were? They exist; they drift clueless in the woods while listening to music and have no intention of helping or hurting you.

Review: Midlife at Single Carrot Theatre

Reviews June 7, 2016 Amanda N. Gunther

Life is slippery, like a fish’s tail. The harder you grab it the les of it you have in your hands. When life begins to slip away from your grasp, it isn’t always in the physical, tangential realm. What happens when the mind slips away from you? What becomes of your life’s story then? Are you two trains on diverting tracks tearing apart at the seams or are you an extraordinary fantasy fated for collision with the brutal harsh reality that is your mortal existence?

Review: Minotaur at Annex Theatre

Reviews March 21, 2016 Amanda N. Gunther

Seek summer south. Seek winter north. Seek autumn west. Seek spring east. Seek Minotaur at Annex Theater. Playing heavily into their season of Wondrous Strange, discovering identity through amazing adventure and twisted paths, this original stage work written and Directed by company member Douglas Johnson, this fully immersive experience follows down the darkened path of sensory-overload that the last few shows of the season have meandered. Powerfully evocative in its ability to disorient the senses through play of the aesthetic,

Marat/Sade at Baltimore Annex Theater

Reviews July 18, 2014 Amanda N. Gunther

My Lords and Ladies of Baltimore:

You are most cordially invited by Director Coulmier, and his wife Lady Coulmier, to attend a fine performance presented at the Asylum of Charenton (The Baltimore Annex Theater’s previous life in 1808.) The play, taking place but 15 years ago in 1793 is written by Monsieur de Sade, a current resident of the asylum and is being performed willingly by the inmates as a part of the astoundingly progressive “Arts Therapy” program.