Like the play being revieweditself,
this review is by necessity going to be different. No cute opening paragraph.
No clever parallels. No history lesson to set the stage. Let me start right out
by saying that in 2019, this play couldn’t be more important. After two
off-Broadway incarnations and a Tony-nominated Broadway debut last spring
(winning the Obie Award for best new American play, the New York Drama Critic’s
Circle for best American play, and the Off-Broadway Alliance Award for best new
play as well as a Pulitzer nomination along the way),

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